The Choc Lit Halloween Round Robin: Part 2 by Jane Lovering

Romaniac HQ is delighted to host Part Two woo woo of the spooky Choc Lit Halloween Round Robin, as told by Jane Lovering.

Jane Lovering with award

 Part Two by Jane Lovering

An amateur witch attempts to summon a new (and hopefully less gittish) lover using her grandmother’s spell book … what could possibly go wrong?

Each section of A New Love for Halloween will be told by a different Choc Lit author to create one magical story. You can follow the tale on five separate blogs from the 27th Oct to Halloween. You can read part one by Berni Stevens here. Here’s part two by Jane Lovering …

Part Two by Jane Lovering

Jo carefully opened the envelope and slid the red heart inside, her fingers fumbling with the fragile crepe paper. Little edges of it caught and tore against the thicker paper so she withdrew it again, sitting it on her palm and watching the sides flex and curl in the heat from the candle. ‘Now I come to look at it, it’s less heart shaped and more like a bum,’ she said, an annoyance at her own gullibility making her frown. ‘I’ll probably get another complete arse, like Gordon.’ Then, before she could rethink, she folded the little red heart down into a scarlet twist, jammed it into the envelope and dropped a blob of warm wax onto the seal.

As the first blob touched the paper, a strange breeze ran through the room. Jo couldn’t feel it against her skin, but it raised her hair and made the pages of the book flip and turn, as though something ghostly was looking through, searching for another spell. Jo felt her arms bobble into goosepimples and tried to stretch the sleeves of the T-shirt down to cover as much flesh as possible.

The front door banged again. Jo considered the possibility that Musketeer Dan had failed to find number twenty-nine and hurriedly pulled on the duffel coat that she’d left drying on the back of a chair. ‘Yes?’ She cautiously peered around the door.

‘Yeah, ah, um … sorry, do you mind me asking, have you seen another bloke dressed like me?’ He was wearing a full wig, sword, breeches and a tricorn hat.

‘Dan, you mean?’ She pulled the coat closer over her T-shirt. It was quite chilly out there.

‘Er. Yeah. Dan. He was supposed to be meeting us here but we’ve lost him.’

‘He came here about five minutes ago, got the wrong house. He can’t have got far, number twenty-nine is only two doors’ up, and across the road, just …’ Jo stepped outside, pointing around the corner ‘… past the green bin.’

‘Cheers.’ The second Musketeer swept his hat off and dealt her a long bow. ‘Loving the Paddington outfit, by the way.  Excellent.’

‘Oh, it’s not…’ Jo started, then realised that there was no possible way she could explain opening her own front door wearing a duffel coat, so she just grinned. ‘Thanks. Hope he turns up.’

‘Yeah, so do I, he’s got the car keys.’

Sword slightly trailing along the pavement, the Musketeer headed off towards number twenty-nine, a location that had become, in Jo’s mind, synonymous with lurid excitement and a vast number of men. She turned round to head back into her kitchen, to the single burning candle and the illicit spell book. She hoped neither of her recent visitors had managed to catch a glimpse of these when she’d opened the door.  ‘They’d think I was mad,’ she muttered to herself, then glanced down at her bare legs poking from under the damp wool of her coat and fringed with the dangling hem of the T-shirt.  ‘Well, madder, anyway.’

But before she could go inside there was another of those freak draughts. The handle of the front door she’d been carefully holding was whipped from her grasp and she heard the horrible, and definite, slam and click of the Yale lock engaging, leaving her outside on the doorstep with nothing but Muse and a moist duffel between her and the elements.

* * * * * * * * * * * * * *  

Catch part three by Christina Courtenay tomorrow on Dark Readers, here.

Jane Lovering lives in Yorkshire with five children, four cats and two dogs! She works in a local school and also teaches creative writing.

Jane writes romantic comedies which are often described as ‘quirky’.

Her debut Please Don’t Stop the Music won the 2012 Romantic Novel of the Year and the Best Romantic Comedy Novel award from the Romantic Novelists’ Association.  Get in the Halloween spirit with Hubble Bubble, Vampire State of Mind and Falling Apart.

Twitter: @janelovering 

Jane Lovering FA_packshot copyCompetition

To win three Choc Lit paperbacks of your choice, collect each of our 5 questions (you’ll find one at the end of each story section) and email ALL 5 answers to info@choc-lit.com.

Question 2: Vampire State of Mind and Falling Apart are set in which city?

 

United States of Love: Happy Birthday!

United States of Love … HAPPY BIRTHDAY!

USL HI

‘It was so funny and romantic … (There) was so much romance and fun going on I totally loved it! A wonderful author who I hope to read more from.’ Amazon reviewer, Angela.

It’s a year since Sue Fortin’s HarperImpulse debut, United States of Love was released, and we at Romaniac HQ wanted to wish it a fabulous 1st birthday. It’s a great, romantic read with a handsome, hot hero, and a strong heroine who has many dilemmas to overcome.

I wonder what Tex is doing to celebrate. A big hog roast in his restaurant, perhaps, or a trip home to America see his family …

 

And with Sue’s second novel, a fast-paced, gripping suspense, Closing In doing well in the charts, it’s a double celebration!

Closing_in
‘I would urge anyone who enjoys a good, fast paced psychological thriller to read it – you won’t be disappointed!’ Room For Reading

Along with her novels, Sue is a contributor to Romaniac Shorts, a collection of flash fiction and short stories to suit all tastes. Her third book for HI is expected soon.

So it’s bottoms up, chin-chin and cheers.

Happy birthday, USL

xxx

IMG_4298

Pst … Who’s doing the bumps?

Cass Peterson: One Night in San Francisco

Cass Peterson: One Night in San Francisco

One Night in San Francisco by Cass Peterson - 500

 

A change of pace here at Romaniac HQ today, as I welcome erotic romance writer, Cass Peterson to the couch, to chat about One Night in San Francisco.

Here’s the blurb:

Nicky and Liam have only twenty-four short hours to find out if their instantaneous attraction can develop into something more than an electric mile-high fumble. San Francisco has everything they need to put their previous disastrous relationships behind them, but when they lose touch with each other almost immediately, fate seems to have other ideas. As the precious hours tick away, Liam moves heaven and earth to find the woman of his (filthiest) dreams before she leaves the city. Will he get to her in time?

 

L: Cass – welcome to Romaniac HQ. We’ve had a wild weekend, so please excuse the wine boxes and loose socks.

C: Boxers? Oo er Laura – so the rumours about Romaniac HQ are true?

L: That’s boxes, not boxers …

Without further contemplation or ado, tell me a little about Cass Peterson.

C: Hmm, I’ll take your word for it. Right, where do I begin? This novella started with a challenge from a friend who more or less dared me to see if I could do it. Cass Peterson is my pen name – Cass is after the late great Mama Cass Elliot, and Peterson from an old BBC Alan Plater series called The Beiderbeck Tapes, featuring Peterson; the man with no name. I love James Bolam, who played the main character (he wasn’t Peterson, just a rather grumpy secondary school teacher). It’s about jazz, love triumphing over cynicism and woodwork. Brilliant.

L: I loved The Beiderbeck Tapes. Barbara Flynn played the long-suffering wife, I recall.

Is One Night in San Francisco your debut? Are you able to reveal some of the story?

C: It’s my debut novella – around 20 000 words, some of them very naughty words too. The story begins on a night flight to America after lights out, when Liam realises what one of his fellow passengers is doing under her blanket to while away the time. Their friendship takes off very quickly (takes off – see what I did there, Laura?) Nicky and Liam seem perfectly suited but they only have one night before real life takes over, and they lose each other at the airport. It’s a desperate quest and a bawdy romp all rolled into one.

I’ve also written a couple of rather rude short stories published in anthologies; Smut By The Sea Volume 2 and Smut Alfresco.

L: I understand ONiSF is part of a series to which several authors have contributed. How has that worked? Please explain the process.

C: The series is called City Nights. Tirgearr is a wonderful publishing company to work with. They are based in Ireland but their editors also work from other parts of the UK and America so it’s a cosmopolitan, friendly organisation, and also very flexible. Authors were encouraged to send in their ideas for a ‘One Night In …’ Then cities were allocated, and I was lucky enough to get San Francisco. Paris, Boise, New Orleans and Rome nights have already been released, and the October and November ones are Amsterdam and Edinburgh. It’s a great concept, which could just run and run … There are a wide variety of authors with differing styles so it’s a very interesting project to be involved with.

L: On a scale of 1 to 5, with 5 being ‘Phwoar!’, where does One Night in San Francisco sit?

C: It’s definitely a 5, Laura. You’ll need a large gin in hand to read it.

L: The Romaniacs recently introduced me to gin. It’s the tonic water I enjoy.

As a romance writer, I know my novels must have a HEA or hopeful ending, and readers expect this, enjoying the journey the characters take. What do erotic romance readers expect?

C: Similar. Pure erotica is a whole different ball game (oops) but so far I’ve found that erotic romance needs to have a HEA ending or at least happy for now.

L: What advice would you offer to new writers looking to produce erotic romance?

C: Pour the gin, kick off your shoes and get in touch with your smutty side. It’s liberating, so long as nobody is reading over your shoulder …

L: Great advice, Cass. I attended a ‘Writing Sex’ course and found it fascinating. And enlightening. As a contemporary romance writer, my novels have scenes in that have a certain heat level, and I agree with you – I can’t write them if the kitchen is occupied by anyone other than me.

Now for our Romaniac Quick-Fire Round:

Y-Fronts or boxers?

Oh, boxers. I’m glad you picked up the ones off the floor though, there’s a time and a place for everything.

Musclebound or unassumingly athletic?

My hero in One Night In San Francisco (Liam) is lean and athletically toned rather than muscular, and he’s pretty gorgeous.

Oysters or chocolate?

Oysters for night time, chocolate for emergencies.

Indoors or outdoors?

Outdoors, under the stars.

Charming or cheeky?

Charming with a cheeky twist.

L: Thank you so much for dropping by today and congratulations on your new release.

C: It was a pleasure. Who made these fabulous cream buns?

Always good buns here.

Please do come again …

Laura x

Let Them Eat Cake …

Let them eat cake….

(And we’ll have some too!)

JWJ spotlight hi rez

Jane Wenham-Jones, author of the revolutionary new eating plan 100 Ways to Fight the Flab – and still have wine and chocolate, explains why every successful diet still involves a slice of what you fancy…

No Cake for YOU….

If I told you that you could never have cake again, what would you immediately fancy? Yep, a great big lump of Victoria sponge, or a rich moist coffee and walnut gateau, or a gloriously chocolatey brownie, or perhaps a fresh cream éclair…(insert your own weakness).  You may not even like cake (you strange creature) but if your downfall is crisps (as mine is), pizza, or fresh crusty bread with lots of butter, and I suddenly tell you that if you want to lose weight, it has got to go – ? Well, you get my drift…

There are two big reasons why all diets/eating plans/changes of lifestyle (a lot of books like to avoid the word “diet” to try to pretend you can still eat things you like) eventually fail. And that is, that unless you have a will of iron and a very high tolerance to emotional and physical discomfort (in which case you are probably already as thin as a rake and will already have stopped reading this and be necking down the cake anyway) they all involve feeling either hungry or deprived or both. It is no wonder that nobody sticks to a diet for long and the overweight have a whole shelf load of books promising dramatic weight loss, have tried them all, and are still waddling round the house with a doughnut in each hand. Because it is pretty dispiriting for anyone to face a future in which there is a stark choice between waving goodbye to the notion of cake for the next twenty years or getting your jeans up past your knees.

And if you are a writer, and have already experienced the problem of Writer’s Bottom ( a phrase I take full credit for coining, in my 2007 book Wannabe a Writer? ), you may already be struggling with the zip. But if you can get round those twin problems of hunger and feeling that you’re missing out, you can be the weight you want for ever. And you’ll find it much easier to cope with either one of them, if you do have to, if you know that feeling will be short-lived. Weight loss is a question of attitude as much as what you put in your mouth – a case, if you like, of mind over large quantities of matter.

JWJ Flab9781909520929_FC-1

So – you want cake? You have cake…. And you don’t put on weight afterwards: Here’s how.

1. Call it Lunch. I recently did just that. A friend had given me a huge slice of homemade mocha cake and it was just what I felt like. So I munched the lot. And did I feel guilty or concerned? I did not. Because  it is all about balance. The carbs were consumed early so there was loads of time to burn them off. In the afternoon I played tennis (I lost). I had grilled halloumi, with tomatoes, basil, and a huge crunchy salad for dinner (low carb), a few peanuts with my wine, instead of crisps (protein!), and a bit more dark chocolate (it just sort of rounded things off) and then, as I do when I have any inkling that the podge might be settling in, I went for a longer walk round the block before I hit the sack.

The net result was? My weight dropped slightly. I’d had: wine, chocolate, cake, bread, cheese, and nibbles. As well as essential vitamins and minerals, some green stuff, and tomatoes.

What’s not to like?

2. Eat Carrot cake and call it one of your five a day. Eat a carrot too. There is a theory that if you lived all day on carrots and champagne, you would get all the nutrients you need. This may be true (tho probably isn’t). All I know is that I would talk too much, think I could sing, and then fall over.

3. Eat a chilli pepper nextThe hotter the better. Chillies (http://100waystofighttheflab.wordpress.com/2013/03/24/hot-tip-no-1-a-chilli-a-day-keeps-a-lard-arse-at-bay/ )raise the metabolism and the more fiery they are, the greater the effect. Experts estimate that one can expect a 15% increase in calories burned for about two hours after eating a hot chilli sauce. (If you can face cake with chilli sauce – you’re laughing!)

4. Count its calories. If it’s shop-bought cake, it will say on the packet, if you’ve made it yourself you can do the maths, if it comes from that darling little shop you can’t resist, you can probably look up approx values on the internet. Then simply adjust round it. If you bought a cake at 2,450 calories, ate a slice every day for a week, plus 1200 calories of other foodstuffs spread over three meals – including fruit and veg – you would be perfectly healthy and lose weight. (Alternatively you could eat half the cake in one sitting, eat nothing else all day and take a vitamin pill.)

5. Enjoy it! Happy people look gorgeous whatever their shape, and skip through life with an extra zing. This in turn releases endorphins, raises the metabolism and helps burn the calories. So have your cake and eat it and if you do overdo things (a slice is fine, the entire eight inch sponge probably isn’t), some extra exercise and plenty of protein and veg will put things right tomorrow… Bon appétit!

JWJ 9781909520929_Cover

For more creative thinking on how to eat the things you like and still only need one airline seat, see http://100waystofighttheflab.wordpress.com/2014/07/21/express-newspaper-features-100-ways/ or bite the (fat-free) bullet and got straight to

http://www.amazon.co.uk/100-Ways-Fight-Flab-Chocolate/dp/1909520926/ref=tmm_pap_title_0

http://janewenhamjones.wordpress.com/

Many thanks for a fab, flab-fighting post, Jane.

 

 

 

 

Nine Essential Elements of Romance Fiction – Catherine LaRoche

NINE ESSENTIAL ELEMENTS OF ROMANCE FICTION

Catherine LaRoche

Catherine LaRoche1

I spend a lot of time thinking about romance fiction.  My mom reads the books, and I picked up the love of the genre from her when I was a teenager.  She always had a tottering pile of novels beside her bed that I’d rummage through for something to borrow.  Now I write historical romances and, in my day job, I’m a college professor of gender studies and cultural studies.  For the past several years, I’ve included romance fiction in my teaching while I’ve been writing an academic book entitled Happily Ever After: The Romance Story in Popular Culture (forthcoming in mid-2015 from Indiana University Press).

My students choose romances from a big box that I bring into class and write responses on them.  We do cut-up exercises with the novels to create alternative storylines.  We write a collaborative online romance with scenes ranging from suspense to spicy erotica.  I’ve set up a romance lending library in my office; my eight-year old son decorated a poster for borrowers to write down comments about the novels they check out.  As I draft my academic book, I workshop chapters with the students in order to get feedback.

I’d like to invite similar feedback from readers here, on some of the book’s conclusions.  I propose that romance novels have nine essential elements.  (I’m playing off Dr. Pamela Regis’s work in her wonderful 2003 text A Natural History of the Romance Novel.)  What do you make of my list so far?  Do you agree or disagree?  Am I missing anything?  All comments welcome!

The nine central claims made by the romance narrative:

  1. It is hard to be alone. We are social animals. Most people need and want love, of some kind. Amid all the possibilities for love as philia (friendship) and agape (spiritual or selfless love), the culture often holds up eros or romantic partner love as an apex of all that love can be and do.
  2. It is a man’s world. Women generally have less power, fewer choices, and suffer from vulnerability and double standards. They often get stuck looking after men or being overlooked by men.
  3. Romance is a religion of love. Romance entails belief in the power of love as a positive orienting force. Love functions as religion, as that which has ultimate meaning in people’s lives.
  4. Romance involves risk. Love doesn’t always work out. Desire can be a source of personal knowledge and power but also of deception and danger. Romance fiction is the safe, imaginative play space to explore the meaning and shape of this landscape.
  5. Romance requires hard work. Baring the true self, making oneself vulnerable to another is hard. Giving up individuality for coupledom requires sacrifice.
  6. Romance facilitates healing. Partner love leads to maturity. Love heals all wounds. Love conquers all.
  7. Romance leads to great sex, especially for women. Women in romance novels are always sexually satisfied. Romance reading can connect women to their sexuality in positive way.
  8. Romance makes you happy. The problematic version of this claim is that you need to be in a romantic relationship for full happiness. Here, romance fiction can be oppressive if it mandates coupledom for everyone.
  9. Romance levels the playing field for women. The heroine always wins. By the end, she is happy, secure, well loved, sexually satisfied, and set up for a fulfilling life. The romance story is a woman-centred fantasy about how to make this man’s world work for her.

Further information about Catherine can be found here: http://authors.simonandschuster.com/Catherine-LaRoche/407531852

and here: http://popularromanceproject.org/professors-writing-romance/

Thank you so much for the great blog, Catherine, and we look forward to reading your results.

 

In Training for Telford

Sleeping bag, for bedding in Debbie's summer house.

Sleeping bag, for bedding in Debbie’s summer house.

In Training for Telford

The Romaniacs are roving big style this weekend. We are off to Telford for the Romantic Novelists’ Association Conference, leaving our loved ones to defend our castles.

It’s a weekend packed with friends, fun, food, workshops, pitching of manuscripts and wine. Not necessarily in that order.

Some of us are hoping to make it to Romaniac Debbie’s house on Thursday, before booking into the conference centre on Friday. Some of us have already packed. Some of us have already bought the Prosecco.

It is going to be a fantastic weekend and we look forward to seeing lots of romantic novelists, editors, publishers and agents in Telford. And possibly everyone in the Midlands, as we wend our way there and back :-)

Prep for the weekend.

Prep for the weekend.

Here are some crucial items we’ll need for the weekend. Are you ready?

Tea towels and teaspoons. We usually have to ring Sue and ask her to bring emergency supplies.

Tea towels and teaspoons. We usually have to ring Sue and ask her to bring emergency supplies.

Always cake.

Always cake.

Music, coffee, and if pushed, fruit that hasn't been fermented.

Music, coffee, and if pushed, fruit that hasn’t been fermented or distilled.

Ready to go? Not yet. There are empty sections ...

Ready to go? Not yet. There are empty sections …

Don't forget the paracetamol.

And don’t forget the paracetamol.

Meet Tracy Tappan: On The Romaniacs’ Couch.

Please welcome to Romaniac HQ, author Tracy Tappan, who has kindly joined us to explain her fab concept, The Character Couch.

Mr and Mrs Smith is one of my all-time favourite movies. You’ll see why I’ve mentioned this in a moment. If you don’t know the film, I recommend watching it before reading Tracy’s brilliant post below :-)

Take us away … sorry … take it away, Tracy.

Tracy Tappan 300dpi

Brad Pitt and Angelina Jolie in the action-packed movie “Mr. and Mrs. Smith” are a husband and wife who don’t know each other are assassins. The movie opens with these two sitting in front of a therapist, squirming with discomfort; we guess this is as much from the possibility of having to bare their souls—something an assassin can’t do—as from the idea of talking about a marriage that has obviously been filled with lies. Either way, it’s going to be entertaining. And, oh, yes, the therapist kicks off the session with a bang.

“How often do you have sex?” he asks.

“I don’t understand the question,” Angelina Jolie returns, dead-pan.

“Is this on a scale of 1 to 10?” Brad puts in.

“So is 1 very little,” Angelina continues, “or is 1 nothing? Because, technically speaking…zero would be nothing.”

So it seems that Brad and Angelina haven’t been having sex for a while.

We can hardly believe it.

The episode is funny, touching, and intriguing, which is exactly the tone of my reader-focused website, The Character Couch (www.charactercouch.com), where fans can suggest their favorite romance couple to be brought into a therapy session. Yes, this is therapy, but these sessions are anything but angst-ridden. They are written in the same spirit as “Mr. and Mrs. Smith,” drawing us in to be a fly on the wall and peek at something we normally wouldn’t be able to see.

Will there be amusing bantering in these sessions, a sense of firm, quiet resolve, poignancy? Sure. All of it. Every session is different, but always attention-grabbing.

Don’t you find that the best books always stick with you long after you’ve turned the last page, leaving you hungry for more? I know I go crazy waiting for the next novel in a series to come out, and I figured other readers felt the same. So I came up with an idea that would combine my two loves—of doing therapy and writing romance—in a way that would provide innovative, free entertainment for fans.

Today, I share about my unique endeavor.

What could we expect to see if you had “Mr. and Mrs. Smith” on The Character Couch?

LOL. Well, I think first you’d see the therapist secretly getting moon-eyed over Brad Pitt! And could we blame her?

Therapist Regan Malloy has been so exciting to create. I’ve already morphed her to fit a multitude of romance sub-genres. She’s been a French ex-pat from a time travel romance, a bespeckled Brit from a contemporary racehorse romance, a saloon mistress in America’s old west, and a wizened crone facing down a couple of vampires.

Regan also brings her own struggles into the session, whether that’s fear or uncertainty, confusion about her clients, or maybe just a verbal blunder of some sort. So, each month, the therapist is as different as her clients.

It’s all about keeping the site dynamic and entertaining!

That does sound like a great deal of fun for readers.

Oh, definitely. I always pose questions at the end of the session, too, because fan involvement adds an extra layer of enjoyment to the experience. Readers get a chance to join the “analysis” and tell me and the participating author what they think. This month for Zoe Dawson’s New York City based contemporary romance, COLLARED, the debate is flying about the dissimilar backgrounds of the hero and heroine, and the possible effects on their relationship. I’m impressed at how thought-provoking and insightful people’s comments have been.

It’s a fantastic time.

It seems that this site could also benefit authors.

Without question. The commentary I was just talking about offers an excellent way for authors to increase their social reach; comments are laterally posted on Facebook, so that the discussion can be seen by all of a fan’s friends—which means thousands!

The Character Couch is an innovative way for authors to market their books, and they’ve been really creative with their use of it. Many authors run contests, where fans are asked to vote on which couple from one of the author’s romance series they’d like to see go into therapy. Several lucky participants win prizes, and the book with the most votes earns a session on The Couch. This kindles fan enthusiasm even before the session is posted!

The procedure for readers is very user-friendly: people just click on the “Suggest A Book” icon in the side bar of the site and input their choice—anytime!

Readers don’t have to wait for a contest to make a suggestion!

This month, the award-winning author of COLLARED, Zoe Dawson, has done something very clever. Her characters, New York City cop, Caleb Shaw, and wealthy socialite, Harper Sinclair, have some issues that still need resolving (is it any wonder, considering he’s a cop and she’s an heiress?!). So Zoe got the ball rolling with Caleb and Harper’s problems in The Character Couch session…then left the issues to be settled in a follow-on wedding novella, CAPTURED. By doing this, she stirred up readers’ excitement more than ever to read her novella.

And yet, you write the sessions, don’t you?

I do. It’s a process that requires a great deal of attention to detail on my part in order to represent absolutely correctly another author’s characters. Not one word goes onto the site without an author’s full approval (authors can go to the FAQ section on the site for more detail).

And so far, so good! The testimonials page glows with the praise from alumni authors.

This has been one of the most satisfying parts of this endeavor for me; it means I’ve succeeded in honoring their stories, and that feels terrific.

How does a session typically end?

Oh, there isn’t a “typical” with these sessions; that’s another fun part. Every month, it’s a new journey, and you never know at what point you might laugh or get a clench of emotion in your chest. Or where a surprise might pop out at you.

Like the ending to “Mr. and Mrs. Smith.”

During the course of the movie, Brad Pitt and Angelina Jolie have discovered that each other are assassins. With the truth out, there’s hope for their marriage now. They end up in front of the therapist again, recapping, still spouting off to each other, but in a way that makes us chuckle; we know they’re going to be okay. The therapist seems to agree, talking about how marriage takes work, but—

Brad interrupts to say, “Ask us the ‘how many times did you have sex this week?’ question again.”

“John,” Angelina Jolie scolds quietly, while Brad Pitt proudly flashes ten fingers outside of Angelina’s sight lines.

Oh, yes, expect fun surprises!

 

*          *          *

Tracy Tappan Bloodline War 600 wide 72dpi

Tracy is the award-winning author of gritty romance, her books spanning genres across paranormal (The Community series), military suspense (The Wings of Gold series), and Historical (The Baron’s War trilogy). During nearly a quarter of a century spent as a military wife, she lived all over the United States and in Europe, enjoying seven years overseas in the diplomatic community, first in Rome then in Madrid, until she settled back in San Diego. Tracy holds a master’s degree in Marriage, Family, and Child Counseling, and has used this background to create a fan-based website called The Character Couch, where romance’s favorite couples are brought into a fun session with therapist, Regan Malloy. Her debut paranormal novel, THE BLOODLINE WAR, is a Bronze Medal winner for romance of the prestigious Independent Publishers Book Award (IPPY), available now on Amazon. FREE from June 10-14th 2014.

To learn more, please visit her website at http://www.tracytappan.com/

 

Thank you so much, Tracy, for this fascinating insight in The Character Couch. I’m convinced my heroes and heroines could all do with a dose of Regan Malloy. One day …

Laura.