Write Behind You – Sarah Manning of The Agency Group

I’m delighted to welcome the very lovely Sarah Manning onto the blog today. Sarah is a Literary Agent’s Assistant to Juliet Mushens at The Agency Group and is here to give us insight into her role and some insider info on life in a literary agency. Pull up a chair, Sarah and help yourself to cake!

Sarah pic

Can you tell us a bit about your background prior to working at The Agency Group?

I read History at Durham University. With no real idea what career I wanted to pursue, but aware that I loved books, I luckily landed myself a job at Orion working for their Paperbacks Department. I also interned in script development at Amber Entertainment and worked as a reader for Island Pictures before happily arriving at The Agency Group.

How long have you been working with Juliet at The Agency Group, Sarah, and how did you come to apply for the job?

I joined The Agency Group back in October 2013 and the time has absolutely flown by. I first stumbled across Juliet’s name during our many editorial meetings while working at Orion. I was beginning to realise that there were many exciting careers within the publishing industry that I hadn’t been aware of straight out of university, and so I closely followed Juliet’s career – she was in her twenties, vibrant and her success was snowballing. I found her easy to identify with and I knew I could learn a lot from her. At the time I was on a temporary contract at Orion and so I took the initiative to contact Juliet and ask her advice on how to move my career forward in publishing. Six months down the line Juliet was looking for an assistant and it felt like everything was falling into place. During that time I’d built up my experience and I knew for certain the direction I wanted my career to take.

What’s the best part of the working day for you?

The best part of my working day is reading the full manuscripts that have been called in from the slush pile. I love the creative, editorial side of reading submissions and it is especially exciting when you stumble across something special. But even when a submission still needs more work I enjoy sharing my thoughts with Juliet. I learn a lot from this process and it is always interesting to see how our comments compare.

What are you reading for pleasure at the moment?

I have just finished reading Apple Tree Yard and opened The Little Stranger by Sarah Walters on the train this morning. Apple Tree Yard was suggested to me by Juliet and, unsurprisingly, it didn’t disappoint. With a complex female narrator, and tackling interesting issues about sexual assault, it is an incredibly compelling read. I’ll let you know how I get on with The Little Stranger – here’s to hoping it’s as dark and chilling as I expect.

Could you please tell us about a typical day at The Agency Group and describe your workspace?

My days are pretty varied but there are some things which need to be done regularly. Every day we will have contracts coming in and out of the office, and it’s my job to keep a track of them all. Juliet does her own foreign rights and so we have contracts issued from all over the world, and with no separate contracts department this is quite a big job! I also complete the tax forms for our authors and am the one chasing all the money. Unlike in other jobs I have previously had, I don’t see these tasks as tiresome administration because they are so closely tied to direct contact with our clients, and I’m learning so much about the ins and outs of the industry. Hopefully this will just make me an efficient agent sometime in the future! And then, after all the general office jobs, I will help Juliet with the slush pile.

Our office is lovely, especially now we are slowly filling the white walls with framed book covers. And of course there is an enormous tube poster for James Oswald’s Mclean series.

office

Do you find you have a typical day or is each day different?

Each day is different working for Juliet and this is something I really appreciate about being her assistant. I am very lucky that I am welcome to sit in on all of Juliet’s meetings and so I find myself part of meetings with potential clients; existing authors; scouts and the list goes on!

Has anything surprised you about the job?

I was pleasantly surprised by just how fast-paced the working environment is here. There is always something going on and new deals being struck. It makes it very exciting to be a part of.

What was your dream job as a child?

I’m not entirely sure it would count as a job, but for most of my childhood I wanted to compete in the Olympics in synchronised swimming. Unfortunately, you can’t read books while upside down in the pool.

What’s your dream job in the future? Do you hope to become a full-time agent and build your own list?

When Juliet asked me where I’d like to be in five years’ time I replied, “your desk”. Well, perhaps not her actual desk, but one next door as a full-time agent would be lovely. My dream is to build a client list of my own with authors as varied and as exciting as those I get to work with now. My favourite aspect of the job is following authors from their slush pile submission through to their first deal, and championing debut authors is something I hope to take forward when establishing my own list.

Do you read the submissions that come in to Juliet’s slush pile – is this a job you share or do you both read promising submissions?

Juliet will read everything that comes into her slush pile and will decide which submissions to call in the full for. I will then read these full manuscripts alongside Juliet and we share our editorial comments. I absolutely love this process and, although the pile is often very large and somewhat daunting, it is always exciting when you begin reading a manuscript and realise you can’t put it down.

If you do read submissions, what would you love to find in the slush pile?

I have a weak spot for flawed, independent female characters that aren’t defined by the men around them. I would love to find an ‘Amy from Gone Girl’ type character placed in a historical setting: something that turns the male discourse of history on its head in a very modern way.

Who’s your favourite author / favourite book of all time?

Favourite author is a tricky one as, even if there is an author who I generally like the style of, it is always the story itself that I am most passionate about. A Thousand Splendid Suns is my go-to book and got me through my finals at university. There is something so magical about the strength of the characters despite the sadness that surrounds them, that no matter where I am it always manages to transport me. Plus, I’m a bit of a sucker for something that makes me cry!

Thank you so much, Sarah!

 

 

Giselle Green – Finding You

I am incredibly excited to have the very talented, and very lovely, Giselle Green at Romaniac HQ today. Here is what she had to say about her new book.

*****

giselle_green

Thank you so much for coming on the blog today, Giselle, it is an absolute pleasure. We hope you are well?

Yes thank you,  and the pleasure is all mine.

I have read your latest book, Finding You, which was out on March 28th and I have to say, I thoroughly enjoyed it. It wasn’t at all what I expected it to be. Can you tell everyone a little about it?

This story is a sequel to an earlier book, Little Miracles, which looks at the devastating effect on a couple when their toddler goes missing at the beach. Here, we join the couple soon after they’ve got their child back. I know we’d all assume everything would be now wonderful for them but all is not well. I guess the lesson is, here, that if something terribly traumatic like that happens to you, then simply having the situation put right, or back to how it should have been, can’t mitigate the effects of it happening in the first place.  They find they can’t just pick up the pieces and carry on … there are still some things that need some healing, first.  

You can tell from reading the book that a lot of work has gone into it, are you pleased with the final result? Without giving too much away, what sort of research went into writing, Finding You?

I’m really happy with it, Lucie, though I’ll admit this one stretched me!  Some of the topics covered in the book are closer to home than I usually venture and there were areas where on the first writing I was tempted to skim or gloss over bits of the narrative. As that would have been cheating the reader, I had to go back and re-do them. There was one scene which I re-wrote a total of seven times before I finally got it to work. The main research I needed to do revolved around the possible effects of abduction on a child Hadyn’s age. That was important because his mum and his dad take very differing stances over what might be causing the problems he’s come home with. They’re split on it, and yet they’ve both got valid reasons for thinking the way they do.         

The book deals with very serious and heart wrenching issues. As a mother, I found some parts extremely emotional, did you feel the same writing it? Was it hard to not get too emotionally attached to it?

I’m glad you were able to engage with the story at that level. Actually, getting emotionally attached to the narrative is the only way to go, for me. If I’m not attached in some way I find it almost impossible to write.  The more attached I can become, the easier the writing flows.  And yes, there are some scenes in this book which still make me feel sad every time I read them, but not in a bad way.  

Where did the idea for Finding You come from?

As mentioned above, it’s a sequel to an earlier novel Little Miracles. I wrote it, quite honestly, because so many people emailed me and asked me to do it. At the start, I had no idea which direction the narrative would take once the initial question of whether ‘it was him’ or not had been answered. To write another whole novel, I needed to give the couple some more problems, more conflicts to resolve, and I decided to begin by exploding the premise of the ‘Happy Ever After’ that most people would naturally assume follows on when you’ve had your deepest wish granted.  The couple are reunited, both with each other and with their child, who’s unharmed … or is he? Life goes on, throws up the next challenge and that became the basis for the second book.

Do you have a daily routine that you work by for your writing? Juggling social media, promotion etc?

I prefer to write in the morning, because that’s my best creative time and it’s also the most lovely ‘quiet time’. When it comes to social media and promotion I’m afraid I feel woefully lost and ‘out of it’ most of the time! I don’t understand the half of it. I’m rather proud of myself that I’ve managed to get an author facebook page up and running though – it gives me the opportunity to let people know of anything new going on, in the easiest way.   

You have been both traditionally published, and self-published, do you have a preference?

There are swings and roundabouts. Traditional publishing brings with it a certain comfort, in that once you’ve done your bit as an author, it’s tempting to feel that the rest of the time-consuming things  – editing and checking stuff, marketing and promotion etc, will all be taken care of for you. To some extent, that is true, but not always to the degree that you might imagine. It’s wonderful if you have an editor who’s on the same page as you, guiding you if you need it, too. And of course, there’s also the kudos of being associated with an established publishing house not to mention that if we’re talking physical books, their marketing arm can way exceed what an indie can hope to achieve on their own. The big publishing houses hold fabulous publishing parties too!

On the other side of it, being self-published means I can work to my own time-table. I can write exactly what I want to write without being too ‘typecast’ or hemmed in by what the ‘powers that be’ believe is what readers want to read. It is not always possible to predict what’s going to fire the public’s imagination!  Once the novel is ready to go, I can choose my own cover, set my own price point and keep control over a lot of variables. An indie novel can go out very quickly, for instance, traditional novels take a lot longer lead time before they can go out. More control means more responsibility inevitably, but if you’re conscientious, that’s okay.     

What would you say your favourite part of writing is?

Dare I say it’s writing ‘The End?’ I think finishing a project is always a time for celebration and a great relief because writing a novel is such a huge act of faith. 

You deal with lots of serious issues in your books and I personally think you do it very well. If you could sum up your books/writing style for others, in one – or a couple (I know how hard it is to just do one!) – sentence(s), how would you sell it?

I’d say I write high-impact emotional women’s fiction, usually dealing with a huge moral dilemma. 

A little quick fire:

Hot or cold? Depends if it’s soup or ice cream, I guess.

Left handed or right handed? Right.

Pizza or pasta? Pasta. Yum.

Xfactor or Strictly? Game of Thrones.

Beach or forest? Beach. Mind you, forests can be lovely too.

Computer or pen & paper? Both, these days.

Rain or shine? Shine, but I’m not adverse to a little atmospheric rain!

Great answers, Giselle!

Thank you so much for coming on the blog today. It has been lovely to listen to you talk about the new book, I will be recommending it to all.

finding u

Finding You is out now! Click the picture for more details. And if you grab it today – you’ll get it for just 99p!

Giselle has a website – www.gisellegreen.com 

She is also on Facebook under Giselle Green Author

And on Twitter at @GiselleGgreenUk

 

The WoMentoring Project

WoMen3

 

Today is the launch day of an incredibly exciting new initiative set up by Kerry Hudson, offering free mentoring from authors, editors and agents to up and coming female writers. The buzz about it on twitter has been building and today it’s officially launched and here at Romaniac HQ, we’re tucking into cake and already checking out the website. All the information about the initiative is below and the all-important website address is:

http://www.womentoringproject.co.uk

You can follow WoMentoring on twitter – @WoMentoringP

About the WoMentoring Project
The WoMentoring Project exists to offer free mentoring by professional literary women to up and coming female writers who would otherwise find it difficult to access similar opportunities.

WoMentoringIllo1CropWeb

bespoke illustration by Sally Jane Thompson

The mission of The WoMentoring Project is simply to introduce successful literary women to other women writers at the beginning of their careers who would benefit from some insight, knowledge and support. The hope is that we’ll see new, talented and diverse female voices emerging as a result of time and guidance received from our mentors. 

Each mentor selects their own mentee and it is at their discretion how little or much time they donate. We have no budget, it’s a completely free initiative and every aspect of the project – from the project management to the website design to the PR support – is being volunteered by a collective of female literary professionals. Quite simply this is about exceptional women supporting exceptional women. Welcome to The WoMentoring Project. 



Why do we need it?
Like many great (and not so great) ideas The WoMentoring Project came about via a conversation on Twitter. While discussing the current lack of peer mentoring and the prohibitive expense for many of professional mentoring we asked our followers – largely writers, editors and agents – who would be willing to donate a few hours of their time to another woman just starting out. The response was overwhelming – within two hours we had over sixty volunteer mentors.

The WoMentoring Project is managed by novelist Kerry Hudson and all of our mentors are all professional writers, editors or literary agents. Many of us received unofficial or official mentoring ourselves which helped us get ahead and the emphasis is on ‘paying forward’ some of the support we’ve been given. 

In an industry where male writers are still reviewed and paid more than their female counterparts in the UK, we wanted to balance the playing field. Likewise, we want to give female voices that would otherwise find it hard to be heard, a greater opportunity of reaching their true potential.

Applications
In an ideal world we would offer a mentor to every writer who needed and wanted one. Of course this isn’t possible so instead we’ve tried to ensure the application process is accessible while also ensuring that out mentors have enough information with which to make their selection.

Applicant mentees will submit a 1000 word writing sample and a 500 word statement about why they would benefit from free mentoring. All applications will be in application to a specific mentor and mentees can only apply for one mentor at a time. 

Why our mentors are getting involved

The reason I’m doing this is simple: mentoring can mean the difference between getting published and getting lost in the crowd. It can help a good writer become a brilliant one. But till now, opportunities for low-income writers to be mentored were few and far between. This initiative redresses the balance; I’m utterly delighted to be part of the project.
Shelley Harris, author of Jubilee

I have only achieved the success I have with the help of others, and now I am keen to pass on that help. I particularly want to reach out to those who don’t have the privileges of wealth, status or existing contacts, but who have so much to gain and to give.
Marie Phillips, author Gods Behaving Badly

I’m so pleased to be involved in the WoMentoring Project, and I can’t wait to meet my mentee. I know from my own authors how isolating an experience writing can often be, especially when you’re just starting out, and so I really wanted to be involved. I hope that knowing that there is someone on your side in those early days will give writers courage and confidence in their work.
Alison Hennessy, Senior Editor at Harvill Secker

The WoMentoring project is the kind of opportunity I would have relished when writing my first novel. It’s founded in the spirit of paying it forward, and I’ll take real pride in sharing whatever experience I’ve gained with a mentee. I’ve benefited from the advice and encouragement of some truly inspirational writers, the right voice cheering you on can make all the difference when you’re in your solitary writing bubble. The formality of the mentoring arrangement also gives a sense of responsibility and focus – something that’s invaluable when you’re lost in the sprawl of a work-in-progress – and it’s beneficial to mentors too.
Emylia Hall, author of The Book of Summers 

My career as an editor has been immeasurably enriched by working with inspiring women writers, yet the world of publishing would have been inaccessible to me without the time and support I was given when first starting out.  The WoMentoring Project is a wonderful, necessary thing and I’m very proud to be taking part in it.
Francesca Main, Editorial Director, Picador
 
I wanted to get involved with this project because I’d like to help authors feel that whoever they are, and wherever they come from, they have a right to be heard.
Jo Unwin of the Jo Unwin Literary Agency 

Why female writers feel they need this opportunity

I’m interested in being mentored because although I think you have to make mistakes to learn, having someone who’s been there help you work out the ones with no value can be really useful. Most of all I’d like to have someone to push and challenge me on what makes me and my writing tick.

The idea of women sharing their skills and experience in a dynamic, nurturing way is a really important one given the lower profile given to female writers. Even though the mentoring is one to one a collective voice and resilience is still being built up – I think it’s a great idea that, for writers like me, will help get rid of some of the layers of doubt and creative loneliness that come with being a beginner.
Clare Archibald 

 
I’m on my third novel; I’ve had good notices from Faber, HoZ etc. but still not quite there. What I need is that final push. I especially need guidance on pacing, keeping the action pulsing along. I feel a mentor could be hugely beneficial in this process.
Suzy Norman 

Roving Romaniac: Laura Visits Sandworld

Roving Romanic: Laura Visits Sandworld.

 

Weymouth Seafront

Weymouth Sea front

Ever since I can remember, Weymouth’s had a sand sculptor producing beautiful works of art on the beach, and for the last four years, Sandworld has developed an off-beach site too, where it can create and keep the sculptures in a secure and welcoming environment for the summer season.

IMG_5860

On Saturday 5th April 2014, authors with connections to Weymouth, Kathy Sharp, Kate Kelly, Carol Hunt, Kit Berry and I, gathered for the Grand Opening of Sandworld’s theme for the 2014 season, Literally in Sand. We spent a wonderful day in an area we affectionately called Author’s Corner, enjoying the hospitality of our lovely hosts, and the chatter with those who came to view the incredible sand sculptures and take a look at our books.

Laura E James, Carol Hunt, Kit Berry, Kate Kelly and Kathy Sharp

Laura E James, Carol Hunt, Kit Berry, Kate Kelly and Kathy Sharp

I gave my first-ever reading – an extract from Truth or Dare?, and aware there would be children at the venue, I opted for a family-friendly section. It was quite a challenge finding a passage that wasn’t dark, gritty, or containing too much dialogue, which I figured would be more difficult to follow as a listener. I chose a scene near the beginning of the novel, and including my introduction, spoke for ten minutes.

As someone who has been known to take the stage for a song, it was great to be performing once more.

It was an excellent event, and we hope to return in the summer and do it all again.

Here are a few teaser photos to illustrate the sheer brilliance of the international band of sand sculptors who’ve worked on Literally in Sand.

IMG_5861 IMG_5857 IMG_5862

Can you name the books?

I recommend a trip to Weymouth to see these, and more, in all their glory.

Thank you Sandworld for the fab day, beautiful art, and friendly and welcoming atmosphere.

I will see you soon.

Laura x

 

 

 

Alison Morton and Perfiditas

We are delighted to welcome back to Romaniac HQ, Alison Morton, who last visited in May, chatting about her first novel in the series, Inceptio. (here.Today, Alison is telling us about the second book, Perfiditas. Take it away, Alison.

Alison Morton 2

Thank you, Laura and Romaniacs, for inviting me back on a very exciting day – publication of my second book PERFIDITAS.

When you start writing, you are often learning about not just the techniques behind producing our novels like structure, goal-motivation-conflict, characterisation and narrative thrust, but about publishing, book promotion and networking. When somebody asks, “How’s the book coming along?” there is only one book. You might have planned, even drafted the next one, but at this stage you’re focusing on the book – your heart’s darling.

Your website reflects the glory of that book, your blog concentrates on its progress, you seek professional advice, polish more, put it through the NWS, polish it more, decide on your publishing route and set off on that path.

On publication and launch days, you glory in the excitement of success, your friends, family and writing colleagues celebrate with you. You go off on a blog and or real tour and your book is in the market. You’re an author.

Then out of the shadows comes that whisper, “So, next book?” It could be from your publisher, friends, fans or yourself but you know you have to disconnect from the first one and concentrate your energy on creating or refining the draft of the second book. But as you settle down to it, you receive a request for a talk or piece about your first one, or it was submitted for an award and it’s been shortlisted. So you switch back with a smile to talk about the first book, your brain a little fuzzy as the details of the story are, unbelievingly, fading. If you’re writing a series, you have to remember not to blurt out what happens in the second that could spoil your article on the first one. Ditto if you give a talk or sell your first book at an event.

This is something I didn’t think about when I launched INCEPTIO. I’ve had to do some rapid running around to make sure my petticoat wasn’t showing when bringing PERFIDITAS to market.

But on the plus side, I’ve learnt that I can write a nearly 100,000 word story and not to collapse internally when I realised I needed to rewrite the last third with a completely different ending to the original (rather stupid) one. I’ve learnt about how to take and use criticism, some technical tricks when editing and a little about the publication path.

But the best thing about the second book is that you are starting from a base you established for the first one. You have gathered some lovely friends and supporters around you who have seen what you can do and who become your champions. That’s almost as good for its own sake as the buzz of getting that first book out.

And now? Fans have kindly asked, “When’s the next one out?” Well, here it is…

Alison Morton Perfiditas Cover

PERFIDITAS, the second in the Roma Nova thriller series comes out today, featuring heroine Carina and her adventures, not least her complex relationship with the enigmatic Conrad.  Rebellion is in the air, but even Carina can’t foresee the ultimate betrayal…

More about PERFIDITAS here: http://alison-morton.com/blog/perfiditas/

Oh, and there’s an exciting trailer: http://alison-morton.com/blog/perfiditas-book-trailer/

Laura says: From what I’ve heard, if it’s anything like the first in series, INCEPTIO, it’ll be a great read. Alison tells me that historic authors Simon Scarrow and Jean Fullerton, and writer and broadcaster Sue Cook have endorsed it, so I think I’ll take a look! 

You can buy PERFIDITAS through your local bookshop (paperback) or here via Amazon http://viewbook.at/PERFIDITAS as an ebook or paperback.

Kindle: http://www.amazon.co.uk/PERFIDITAS-Roma-Nova-Alison-Morton-ebook/dp/B00FXY4GEE

The PERFIDITAS Kindle version will be on 50% special publication offer price £1.49, until 23rd October. 

You can read more about Alison, Romans, alternate history and writing on her blog: http://alison-morton.com/

Facebook: www.facebook.com/AlisonMortonAuthor

Twitter: @alison_mortonAlison Morton Logo

Wannabe a Writer? Jane Wenham-Jones tells us how we can get there.

Wannabe A Writer TV Show Title Card

So you’ve written that novel that has been consuming your brain for years. Finally written it down and typed those magical words, The End. What now?

Or maybe you have written novel number 15, but still don’t have the courage to send it out to anyone for feedback.

Or even, you’ve written numerous novels, had other people read them and give you feedback, but still don’t know what to do with it.

If any of these scenarios describe you, then Jane Wenham-Jones is the perfect person to help you.

The very lovely, Jane Wenham-Jones

The very lovely, Jane Wenham-Jones

Jane has piloted a TV series called, ‘Wannabe a Writer.’ As part of this series, Jane takes an unpublished writer and introduces them to a top literary agent who reads their first three chapters and gives feedback. What an amazing opportunity! In the first episode, Delphine (the unpublished writer) is introduced to Carole Blake, of Blake Friedmann Literary Agency, and Carole offers some extremely important advice about Delphine’s manuscript. She highlights key points in Delphine’s story that are not working and tells her where it is going wrong. There is no sugar coating with Carole, but I loved that. As an unpublished writer myself, I don’t want to be blinded by happy smiles and ‘well done’s’ (although those are nice to have, too!) but I want to know how it really works. I want to be prepared for when I meet agents and be told just how blunt they may be. As Carole says in the film, she gets in excess of 20 manuscripts a day, so they don’t have time to think about how to say to someone that A,B and C needs changing in a nice way that wont hurt their feelings. That’s just the nature of the industry and that’s why every published author will say that you need to have the stomach for writing. So when I watched this first episode, I felt refreshed that it was putting forward an honest account of the writing/publishing industry.

Saying this, Jane does a very good job of making sure the writer feels supported afterwards. She is very encouraging and arranges a meeting with a bestselling author – I wont disclose who in case you haven’t seen the video.

Meeting the bestselling author was enjoyable to watch. She gave advice and tips to Delphine about her novel and answered all of her questions with expertise. I particularly liked the fact that Jane also got involved with giving advice and would throw in snippets as and when. So essentially you are getting two for the price of one! Fabulous!

Jane and Delphine

Jane and Delphine

The episode ends with Delphine returning to literary agent Carole Blake, with a revised opening chapter. Carole then gives her feedback on the new piece and is quite encouraging – showing that even though she was hard on Delphine at the start, it was all so Delphine could improve an already promising story.

Jane presents the programme extremely well. She is a very friendly person and this comes across on screen brilliantly. She is encouraging the whole way through the programme and makes the whole process relaxed and positive.

I do find sometimes, with things similar to this, that advice is sort of pushed upon you. You have asked for advice so here it is and you must listen. But with this programme, this is not the case. Advice and tips are offered constantly throughout but never at any time is it forced upon you. The bestselling author even says at one point about you having to use your judgement with the advice you’re getting and basically pick what is best for you and your work.

I absolutely love the whole idea of this TV series and I think it will do really well. There are so many people out there, like myself, who desperately want to break the barrier into being published and I think programmes like this are both informative and real and are exactly what we, as writers, need to help prepare ourselves better.

I asked Jane for a few words about her new venture and he is what she had to say…

It’s here! The fluffed lines, fits of the giggles and the marvellous moment where a certain best-selling author’s cat strolled into the scene, mewing, have been safely consigned to the cutting room floor and Wannabe a Writer – the TV Show is available on a youtube channel near you. This is a ground-breaking new concept I have been loosely billing as Come Dine With Me, meets Through the Keyhole with a dash of Britain’s Got Talent  – except designed to appeal to anyone who’s ever thought they might have a book in them, rather than those who want to sing or show off their carrot stroganoff  and  pecan pavlova.

We’re going to be pitching this to the TV channels this autumn, so we’d love you to watch, love you to comment, and love you to apply to come on a future programme (please also tell your friends).

This baby is the brainchild of me and my mate Steve – an ex- ITN TV producer– who I first met when he obligingly spilled the beans about how much tape Barbara Cartland used to hold her face up when she was being interviewed, for my book Wannabe a Writer We’ve Heard Of? (One way, for those interested, is to make news crews wait 24 hours while you bathe the room in pink light, get the florists on standby and use the aforementioned tape to hitch back your forehead.) Not that I am without sympathy, having seen myself in the opening shots, looking as if I have a particularly nasty hangover!

“I hope you’re bleaching out my wrinkles,” I’d squawk at Steve at regular intervals throughout filming. He appeared to ignore me  but was clearly listening. Hear that jaunty piece of music that plays as would-be author Delphine, and I board the train to London? It’s called “Botox Babe”…

To apply to be on the show, visit : www.wannabeawritertvshow.com

Thank you, Jane, we wish you lots of luck with it.

And here is the all important link to this fabulous show – enjoy!

http://www.youtube.com/watch?v=1kJWTbsjbR4 – Part One

http://www.youtube.com/watch?v=_ycfeR3Zze0 – Part Two

Lucie xx

Sophie Duffy and the Exeter Novel prize

Sophie Duffy

Sophie Duffy

My journey to becoming a published novelist was a long one. In fact I have yet to meet a novelist who became an overnight success. I have yet to meet a published novelist without at least two novels secreted away like old love letters. Those first two novels are the practice ground where we learn about the craft of writing, a craft we writers continue to learn for the rest of our lives.

Sophie Duffy 3

But there may well be some novels out there that deserve to see the light of day. Do you have one of those? Or do you have the beginnings of one? If the answer is yes, I do, then dust it down, rework the opening with the helpfulness of hindsight and fresh eyes and enter it into the Exeter Novel Prize.

Sophie Duffy 2

Sophie, Cathie and Margaret

What is the Exeter Novel Prize? It’s a new prize for novelists, set up and launched this week by the trio that make up CreativeWritingMatters: Cathie Hartigan, Margaret James and myself.

Sophie Duffy GenerationWhy did we decide to do this? Because we believe in the importance of writing competitions. Cathie has won short story competitions,  Margaret has administered and judged writing competitions and my novel The Generation Game won both the Yeovil Literary Prize and the Luke Bitmead Bursary. There are many short story and poetry competitions but only a few novel prizes. And the Exeter Novel Prize is, to our knowledge, the only novel competition open to both unpublished and published writers. As long as you are unagented and not currently under contract, you can enter the ENP with your first 10,000 words and a synopsis by October 31st.

Go to http://www.creativewritingmatters.co.uk for details.

We launched the prize on Thursday. It was a soggy evening so we were pleased to fill the room with writers who asked great questions. The atmosphere was positive and encouraging and we are looking forward to finding a shining star. The winner will be chosen from a shortlist by agent Broo Doherty. And who knows what will follow. You’ll never know unless you enter. Nothing ventured…

Sophie Duffy ENP Audience

Sophie  Duffy lives in Teignmouth with her family and other animals. She has two novels published by Legend Press. The Generation Game and This Holey Life.

Thank you, Sophie, for taking the time to write this post. This is a great competition and I wish you, Cathie, Margaret and all the entrants the very best of luck.
Laura x