Let Them Eat Cake …

Let them eat cake….

(And we’ll have some too!)

JWJ spotlight hi rez

Jane Wenham-Jones, author of the revolutionary new eating plan 100 Ways to Fight the Flab – and still have wine and chocolate, explains why every successful diet still involves a slice of what you fancy…

No Cake for YOU….

If I told you that you could never have cake again, what would you immediately fancy? Yep, a great big lump of Victoria sponge, or a rich moist coffee and walnut gateau, or a gloriously chocolatey brownie, or perhaps a fresh cream éclair…(insert your own weakness).  You may not even like cake (you strange creature) but if your downfall is crisps (as mine is), pizza, or fresh crusty bread with lots of butter, and I suddenly tell you that if you want to lose weight, it has got to go – ? Well, you get my drift…

There are two big reasons why all diets/eating plans/changes of lifestyle (a lot of books like to avoid the word “diet” to try to pretend you can still eat things you like) eventually fail. And that is, that unless you have a will of iron and a very high tolerance to emotional and physical discomfort (in which case you are probably already as thin as a rake and will already have stopped reading this and be necking down the cake anyway) they all involve feeling either hungry or deprived or both. It is no wonder that nobody sticks to a diet for long and the overweight have a whole shelf load of books promising dramatic weight loss, have tried them all, and are still waddling round the house with a doughnut in each hand. Because it is pretty dispiriting for anyone to face a future in which there is a stark choice between waving goodbye to the notion of cake for the next twenty years or getting your jeans up past your knees.

And if you are a writer, and have already experienced the problem of Writer’s Bottom ( a phrase I take full credit for coining, in my 2007 book Wannabe a Writer? ), you may already be struggling with the zip. But if you can get round those twin problems of hunger and feeling that you’re missing out, you can be the weight you want for ever. And you’ll find it much easier to cope with either one of them, if you do have to, if you know that feeling will be short-lived. Weight loss is a question of attitude as much as what you put in your mouth – a case, if you like, of mind over large quantities of matter.

JWJ Flab9781909520929_FC-1

So – you want cake? You have cake…. And you don’t put on weight afterwards: Here’s how.

1. Call it Lunch. I recently did just that. A friend had given me a huge slice of homemade mocha cake and it was just what I felt like. So I munched the lot. And did I feel guilty or concerned? I did not. Because  it is all about balance. The carbs were consumed early so there was loads of time to burn them off. In the afternoon I played tennis (I lost). I had grilled halloumi, with tomatoes, basil, and a huge crunchy salad for dinner (low carb), a few peanuts with my wine, instead of crisps (protein!), and a bit more dark chocolate (it just sort of rounded things off) and then, as I do when I have any inkling that the podge might be settling in, I went for a longer walk round the block before I hit the sack.

The net result was? My weight dropped slightly. I’d had: wine, chocolate, cake, bread, cheese, and nibbles. As well as essential vitamins and minerals, some green stuff, and tomatoes.

What’s not to like?

2. Eat Carrot cake and call it one of your five a day. Eat a carrot too. There is a theory that if you lived all day on carrots and champagne, you would get all the nutrients you need. This may be true (tho probably isn’t). All I know is that I would talk too much, think I could sing, and then fall over.

3. Eat a chilli pepper nextThe hotter the better. Chillies (http://100waystofighttheflab.wordpress.com/2013/03/24/hot-tip-no-1-a-chilli-a-day-keeps-a-lard-arse-at-bay/ )raise the metabolism and the more fiery they are, the greater the effect. Experts estimate that one can expect a 15% increase in calories burned for about two hours after eating a hot chilli sauce. (If you can face cake with chilli sauce – you’re laughing!)

4. Count its calories. If it’s shop-bought cake, it will say on the packet, if you’ve made it yourself you can do the maths, if it comes from that darling little shop you can’t resist, you can probably look up approx values on the internet. Then simply adjust round it. If you bought a cake at 2,450 calories, ate a slice every day for a week, plus 1200 calories of other foodstuffs spread over three meals – including fruit and veg – you would be perfectly healthy and lose weight. (Alternatively you could eat half the cake in one sitting, eat nothing else all day and take a vitamin pill.)

5. Enjoy it! Happy people look gorgeous whatever their shape, and skip through life with an extra zing. This in turn releases endorphins, raises the metabolism and helps burn the calories. So have your cake and eat it and if you do overdo things (a slice is fine, the entire eight inch sponge probably isn’t), some extra exercise and plenty of protein and veg will put things right tomorrow… Bon appétit!

JWJ 9781909520929_Cover

For more creative thinking on how to eat the things you like and still only need one airline seat, see http://100waystofighttheflab.wordpress.com/2014/07/21/express-newspaper-features-100-ways/ or bite the (fat-free) bullet and got straight to

http://www.amazon.co.uk/100-Ways-Fight-Flab-Chocolate/dp/1909520926/ref=tmm_pap_title_0

http://janewenhamjones.wordpress.com/

Many thanks for a fab, flab-fighting post, Jane.

 

 

 

 

Nine Essential Elements of Romance Fiction – Catherine LaRoche

NINE ESSENTIAL ELEMENTS OF ROMANCE FICTION

Catherine LaRoche

Catherine LaRoche1

I spend a lot of time thinking about romance fiction.  My mom reads the books, and I picked up the love of the genre from her when I was a teenager.  She always had a tottering pile of novels beside her bed that I’d rummage through for something to borrow.  Now I write historical romances and, in my day job, I’m a college professor of gender studies and cultural studies.  For the past several years, I’ve included romance fiction in my teaching while I’ve been writing an academic book entitled Happily Ever After: The Romance Story in Popular Culture (forthcoming in mid-2015 from Indiana University Press).

My students choose romances from a big box that I bring into class and write responses on them.  We do cut-up exercises with the novels to create alternative storylines.  We write a collaborative online romance with scenes ranging from suspense to spicy erotica.  I’ve set up a romance lending library in my office; my eight-year old son decorated a poster for borrowers to write down comments about the novels they check out.  As I draft my academic book, I workshop chapters with the students in order to get feedback.

I’d like to invite similar feedback from readers here, on some of the book’s conclusions.  I propose that romance novels have nine essential elements.  (I’m playing off Dr. Pamela Regis’s work in her wonderful 2003 text A Natural History of the Romance Novel.)  What do you make of my list so far?  Do you agree or disagree?  Am I missing anything?  All comments welcome!

The nine central claims made by the romance narrative:

  1. It is hard to be alone. We are social animals. Most people need and want love, of some kind. Amid all the possibilities for love as philia (friendship) and agape (spiritual or selfless love), the culture often holds up eros or romantic partner love as an apex of all that love can be and do.
  2. It is a man’s world. Women generally have less power, fewer choices, and suffer from vulnerability and double standards. They often get stuck looking after men or being overlooked by men.
  3. Romance is a religion of love. Romance entails belief in the power of love as a positive orienting force. Love functions as religion, as that which has ultimate meaning in people’s lives.
  4. Romance involves risk. Love doesn’t always work out. Desire can be a source of personal knowledge and power but also of deception and danger. Romance fiction is the safe, imaginative play space to explore the meaning and shape of this landscape.
  5. Romance requires hard work. Baring the true self, making oneself vulnerable to another is hard. Giving up individuality for coupledom requires sacrifice.
  6. Romance facilitates healing. Partner love leads to maturity. Love heals all wounds. Love conquers all.
  7. Romance leads to great sex, especially for women. Women in romance novels are always sexually satisfied. Romance reading can connect women to their sexuality in positive way.
  8. Romance makes you happy. The problematic version of this claim is that you need to be in a romantic relationship for full happiness. Here, romance fiction can be oppressive if it mandates coupledom for everyone.
  9. Romance levels the playing field for women. The heroine always wins. By the end, she is happy, secure, well loved, sexually satisfied, and set up for a fulfilling life. The romance story is a woman-centred fantasy about how to make this man’s world work for her.

Further information about Catherine can be found here: http://authors.simonandschuster.com/Catherine-LaRoche/407531852

and here: http://popularromanceproject.org/professors-writing-romance/

Thank you so much for the great blog, Catherine, and we look forward to reading your results.

 

In Training for Telford

Sleeping bag, for bedding in Debbie's summer house.

Sleeping bag, for bedding in Debbie’s summer house.

In Training for Telford

The Romaniacs are roving big style this weekend. We are off to Telford for the Romantic Novelists’ Association Conference, leaving our loved ones to defend our castles.

It’s a weekend packed with friends, fun, food, workshops, pitching of manuscripts and wine. Not necessarily in that order.

Some of us are hoping to make it to Romaniac Debbie’s house on Thursday, before booking into the conference centre on Friday. Some of us have already packed. Some of us have already bought the Prosecco.

It is going to be a fantastic weekend and we look forward to seeing lots of romantic novelists, editors, publishers and agents in Telford. And possibly everyone in the Midlands, as we wend our way there and back :-)

Prep for the weekend.

Prep for the weekend.

Here are some crucial items we’ll need for the weekend. Are you ready?

Tea towels and teaspoons. We usually have to ring Sue and ask her to bring emergency supplies.

Tea towels and teaspoons. We usually have to ring Sue and ask her to bring emergency supplies.

Always cake.

Always cake.

Music, coffee, and if pushed, fruit that hasn't been fermented.

Music, coffee, and if pushed, fruit that hasn’t been fermented or distilled.

Ready to go? Not yet. There are empty sections ...

Ready to go? Not yet. There are empty sections …

Don't forget the paracetamol.

And don’t forget the paracetamol.

Roving Romaniac – Lucie hits Milton Keynes!

Last weekend it was my turn to go roaming the streets and this particular Romaniac was let loose in Milton Keynes.

Saturday 7th June was the annual agency day for the Kate Nash Literary Agency and, having signed with Sarah Taylor in January, I was invited.  

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This was our ‘selfie’ for the Online Romance Festival which was on the same day.

I can’t tell you how excited I was. It has been quite some months since I last attended a writing event so I was looking forward to seeing other writers in the flesh – and knowing that there are still other crazy people Out There.

The day was amazing. Lots of useful and essential tips and information was on offer both from Kate and Sarah, and also fellow writers, too. Ranging from industry trends, to the latest bestsellers, to marketing. Throw in lots of laughter and lovely food and you get a jist of why I had so much fun.

After a day of talking – and sipping back on the free tea, coffee and biscuits – we retired to our rooms to get ready for an evening out. The agency day coincided with Jane Lovering’s publication day. Falling Apart celebrated its birthday in true, author style.

It went out and PARTIED!

For a more in depth look at Falling Apart’s antics – pop over to my blog, here. *WARNING* Not for the faint hearted …

We had a lovely evening out in Milton Keynes. Dinner, cocktails and lots of dancing. Kate and Sarah put together a fantastic day and I am sure I am not alone when I say a massive THANK YOU to them both for a wonderful weekend.

*Kate and Sarah are both accepting submissions at the moment, so If you would like to submit to either of them, please do! You will find submission guidelines here. *

 

Sarah Taylor, me, Kate Nash (Allen)

Sarah Taylor, me, Kate Nash (Allen)

 

And now to look forward to the RNA conference where a number of Romaniacs will be let loose … don’t say I didn’t warn you!

 

 

Meet Tracy Tappan: On The Romaniacs’ Couch.

Please welcome to Romaniac HQ, author Tracy Tappan, who has kindly joined us to explain her fab concept, The Character Couch.

Mr and Mrs Smith is one of my all-time favourite movies. You’ll see why I’ve mentioned this in a moment. If you don’t know the film, I recommend watching it before reading Tracy’s brilliant post below :-)

Take us away … sorry … take it away, Tracy.

Tracy Tappan 300dpi

Brad Pitt and Angelina Jolie in the action-packed movie “Mr. and Mrs. Smith” are a husband and wife who don’t know each other are assassins. The movie opens with these two sitting in front of a therapist, squirming with discomfort; we guess this is as much from the possibility of having to bare their souls—something an assassin can’t do—as from the idea of talking about a marriage that has obviously been filled with lies. Either way, it’s going to be entertaining. And, oh, yes, the therapist kicks off the session with a bang.

“How often do you have sex?” he asks.

“I don’t understand the question,” Angelina Jolie returns, dead-pan.

“Is this on a scale of 1 to 10?” Brad puts in.

“So is 1 very little,” Angelina continues, “or is 1 nothing? Because, technically speaking…zero would be nothing.”

So it seems that Brad and Angelina haven’t been having sex for a while.

We can hardly believe it.

The episode is funny, touching, and intriguing, which is exactly the tone of my reader-focused website, The Character Couch (www.charactercouch.com), where fans can suggest their favorite romance couple to be brought into a therapy session. Yes, this is therapy, but these sessions are anything but angst-ridden. They are written in the same spirit as “Mr. and Mrs. Smith,” drawing us in to be a fly on the wall and peek at something we normally wouldn’t be able to see.

Will there be amusing bantering in these sessions, a sense of firm, quiet resolve, poignancy? Sure. All of it. Every session is different, but always attention-grabbing.

Don’t you find that the best books always stick with you long after you’ve turned the last page, leaving you hungry for more? I know I go crazy waiting for the next novel in a series to come out, and I figured other readers felt the same. So I came up with an idea that would combine my two loves—of doing therapy and writing romance—in a way that would provide innovative, free entertainment for fans.

Today, I share about my unique endeavor.

What could we expect to see if you had “Mr. and Mrs. Smith” on The Character Couch?

LOL. Well, I think first you’d see the therapist secretly getting moon-eyed over Brad Pitt! And could we blame her?

Therapist Regan Malloy has been so exciting to create. I’ve already morphed her to fit a multitude of romance sub-genres. She’s been a French ex-pat from a time travel romance, a bespeckled Brit from a contemporary racehorse romance, a saloon mistress in America’s old west, and a wizened crone facing down a couple of vampires.

Regan also brings her own struggles into the session, whether that’s fear or uncertainty, confusion about her clients, or maybe just a verbal blunder of some sort. So, each month, the therapist is as different as her clients.

It’s all about keeping the site dynamic and entertaining!

That does sound like a great deal of fun for readers.

Oh, definitely. I always pose questions at the end of the session, too, because fan involvement adds an extra layer of enjoyment to the experience. Readers get a chance to join the “analysis” and tell me and the participating author what they think. This month for Zoe Dawson’s New York City based contemporary romance, COLLARED, the debate is flying about the dissimilar backgrounds of the hero and heroine, and the possible effects on their relationship. I’m impressed at how thought-provoking and insightful people’s comments have been.

It’s a fantastic time.

It seems that this site could also benefit authors.

Without question. The commentary I was just talking about offers an excellent way for authors to increase their social reach; comments are laterally posted on Facebook, so that the discussion can be seen by all of a fan’s friends—which means thousands!

The Character Couch is an innovative way for authors to market their books, and they’ve been really creative with their use of it. Many authors run contests, where fans are asked to vote on which couple from one of the author’s romance series they’d like to see go into therapy. Several lucky participants win prizes, and the book with the most votes earns a session on The Couch. This kindles fan enthusiasm even before the session is posted!

The procedure for readers is very user-friendly: people just click on the “Suggest A Book” icon in the side bar of the site and input their choice—anytime!

Readers don’t have to wait for a contest to make a suggestion!

This month, the award-winning author of COLLARED, Zoe Dawson, has done something very clever. Her characters, New York City cop, Caleb Shaw, and wealthy socialite, Harper Sinclair, have some issues that still need resolving (is it any wonder, considering he’s a cop and she’s an heiress?!). So Zoe got the ball rolling with Caleb and Harper’s problems in The Character Couch session…then left the issues to be settled in a follow-on wedding novella, CAPTURED. By doing this, she stirred up readers’ excitement more than ever to read her novella.

And yet, you write the sessions, don’t you?

I do. It’s a process that requires a great deal of attention to detail on my part in order to represent absolutely correctly another author’s characters. Not one word goes onto the site without an author’s full approval (authors can go to the FAQ section on the site for more detail).

And so far, so good! The testimonials page glows with the praise from alumni authors.

This has been one of the most satisfying parts of this endeavor for me; it means I’ve succeeded in honoring their stories, and that feels terrific.

How does a session typically end?

Oh, there isn’t a “typical” with these sessions; that’s another fun part. Every month, it’s a new journey, and you never know at what point you might laugh or get a clench of emotion in your chest. Or where a surprise might pop out at you.

Like the ending to “Mr. and Mrs. Smith.”

During the course of the movie, Brad Pitt and Angelina Jolie have discovered that each other are assassins. With the truth out, there’s hope for their marriage now. They end up in front of the therapist again, recapping, still spouting off to each other, but in a way that makes us chuckle; we know they’re going to be okay. The therapist seems to agree, talking about how marriage takes work, but—

Brad interrupts to say, “Ask us the ‘how many times did you have sex this week?’ question again.”

“John,” Angelina Jolie scolds quietly, while Brad Pitt proudly flashes ten fingers outside of Angelina’s sight lines.

Oh, yes, expect fun surprises!

 

*          *          *

Tracy Tappan Bloodline War 600 wide 72dpi

Tracy is the award-winning author of gritty romance, her books spanning genres across paranormal (The Community series), military suspense (The Wings of Gold series), and Historical (The Baron’s War trilogy). During nearly a quarter of a century spent as a military wife, she lived all over the United States and in Europe, enjoying seven years overseas in the diplomatic community, first in Rome then in Madrid, until she settled back in San Diego. Tracy holds a master’s degree in Marriage, Family, and Child Counseling, and has used this background to create a fan-based website called The Character Couch, where romance’s favorite couples are brought into a fun session with therapist, Regan Malloy. Her debut paranormal novel, THE BLOODLINE WAR, is a Bronze Medal winner for romance of the prestigious Independent Publishers Book Award (IPPY), available now on Amazon. FREE from June 10-14th 2014.

To learn more, please visit her website at http://www.tracytappan.com/

 

Thank you so much, Tracy, for this fascinating insight in The Character Couch. I’m convinced my heroes and heroines could all do with a dose of Regan Malloy. One day …

Laura.

 

Giselle Green – Finding You

I am incredibly excited to have the very talented, and very lovely, Giselle Green at Romaniac HQ today. Here is what she had to say about her new book.

*****

giselle_green

Thank you so much for coming on the blog today, Giselle, it is an absolute pleasure. We hope you are well?

Yes thank you,  and the pleasure is all mine.

I have read your latest book, Finding You, which was out on March 28th and I have to say, I thoroughly enjoyed it. It wasn’t at all what I expected it to be. Can you tell everyone a little about it?

This story is a sequel to an earlier book, Little Miracles, which looks at the devastating effect on a couple when their toddler goes missing at the beach. Here, we join the couple soon after they’ve got their child back. I know we’d all assume everything would be now wonderful for them but all is not well. I guess the lesson is, here, that if something terribly traumatic like that happens to you, then simply having the situation put right, or back to how it should have been, can’t mitigate the effects of it happening in the first place.  They find they can’t just pick up the pieces and carry on … there are still some things that need some healing, first.  

You can tell from reading the book that a lot of work has gone into it, are you pleased with the final result? Without giving too much away, what sort of research went into writing, Finding You?

I’m really happy with it, Lucie, though I’ll admit this one stretched me!  Some of the topics covered in the book are closer to home than I usually venture and there were areas where on the first writing I was tempted to skim or gloss over bits of the narrative. As that would have been cheating the reader, I had to go back and re-do them. There was one scene which I re-wrote a total of seven times before I finally got it to work. The main research I needed to do revolved around the possible effects of abduction on a child Hadyn’s age. That was important because his mum and his dad take very differing stances over what might be causing the problems he’s come home with. They’re split on it, and yet they’ve both got valid reasons for thinking the way they do.         

The book deals with very serious and heart wrenching issues. As a mother, I found some parts extremely emotional, did you feel the same writing it? Was it hard to not get too emotionally attached to it?

I’m glad you were able to engage with the story at that level. Actually, getting emotionally attached to the narrative is the only way to go, for me. If I’m not attached in some way I find it almost impossible to write.  The more attached I can become, the easier the writing flows.  And yes, there are some scenes in this book which still make me feel sad every time I read them, but not in a bad way.  

Where did the idea for Finding You come from?

As mentioned above, it’s a sequel to an earlier novel Little Miracles. I wrote it, quite honestly, because so many people emailed me and asked me to do it. At the start, I had no idea which direction the narrative would take once the initial question of whether ‘it was him’ or not had been answered. To write another whole novel, I needed to give the couple some more problems, more conflicts to resolve, and I decided to begin by exploding the premise of the ‘Happy Ever After’ that most people would naturally assume follows on when you’ve had your deepest wish granted.  The couple are reunited, both with each other and with their child, who’s unharmed … or is he? Life goes on, throws up the next challenge and that became the basis for the second book.

Do you have a daily routine that you work by for your writing? Juggling social media, promotion etc?

I prefer to write in the morning, because that’s my best creative time and it’s also the most lovely ‘quiet time’. When it comes to social media and promotion I’m afraid I feel woefully lost and ‘out of it’ most of the time! I don’t understand the half of it. I’m rather proud of myself that I’ve managed to get an author facebook page up and running though – it gives me the opportunity to let people know of anything new going on, in the easiest way.   

You have been both traditionally published, and self-published, do you have a preference?

There are swings and roundabouts. Traditional publishing brings with it a certain comfort, in that once you’ve done your bit as an author, it’s tempting to feel that the rest of the time-consuming things  – editing and checking stuff, marketing and promotion etc, will all be taken care of for you. To some extent, that is true, but not always to the degree that you might imagine. It’s wonderful if you have an editor who’s on the same page as you, guiding you if you need it, too. And of course, there’s also the kudos of being associated with an established publishing house not to mention that if we’re talking physical books, their marketing arm can way exceed what an indie can hope to achieve on their own. The big publishing houses hold fabulous publishing parties too!

On the other side of it, being self-published means I can work to my own time-table. I can write exactly what I want to write without being too ‘typecast’ or hemmed in by what the ‘powers that be’ believe is what readers want to read. It is not always possible to predict what’s going to fire the public’s imagination!  Once the novel is ready to go, I can choose my own cover, set my own price point and keep control over a lot of variables. An indie novel can go out very quickly, for instance, traditional novels take a lot longer lead time before they can go out. More control means more responsibility inevitably, but if you’re conscientious, that’s okay.     

What would you say your favourite part of writing is?

Dare I say it’s writing ‘The End?’ I think finishing a project is always a time for celebration and a great relief because writing a novel is such a huge act of faith. 

You deal with lots of serious issues in your books and I personally think you do it very well. If you could sum up your books/writing style for others, in one – or a couple (I know how hard it is to just do one!) – sentence(s), how would you sell it?

I’d say I write high-impact emotional women’s fiction, usually dealing with a huge moral dilemma. 

A little quick fire:

Hot or cold? Depends if it’s soup or ice cream, I guess.

Left handed or right handed? Right.

Pizza or pasta? Pasta. Yum.

Xfactor or Strictly? Game of Thrones.

Beach or forest? Beach. Mind you, forests can be lovely too.

Computer or pen & paper? Both, these days.

Rain or shine? Shine, but I’m not adverse to a little atmospheric rain!

Great answers, Giselle!

Thank you so much for coming on the blog today. It has been lovely to listen to you talk about the new book, I will be recommending it to all.

finding u

Finding You is out now! Click the picture for more details. And if you grab it today – you’ll get it for just 99p!

Giselle has a website – www.gisellegreen.com 

She is also on Facebook under Giselle Green Author

And on Twitter at @GiselleGgreenUk

 

Beverley Eikli’s Other Life: Meet Beverley Oakley …

Beverley Eikli author pic copyBy Beverley Eikli (also writing as Beverley Oakley)

Hello everyone,

Thank you so much for having me here to talk about my ‘other’ writing life, that as an author for erotic publishers Ellora’s Cave and Totally Bound, with the pseudonym Beverley Oakley.

Taking a pseudonym happened by accident, really, for I’d never considered writing erotic romances. However, the book I’d just completed in 2011, a racy, Regency romp called Rake’s Honour, was just a little too saucy for my publisher at the time, Robert Hale, and although it had won a number of writing awards resulting in requests for the full ms from Berkley and Avon, it didn’t fit neatly into any formal mainstream category.

After finding a publisher for Rake’s Honour at Totally Bound – or Total-E-Bound, as they were then known – I was assigned a fantastic editor who saw great potential for making the saucy scenes in the book considerably more explicit. Initially I baulked, since writing hot sex scenes was not something I was at all used to doing. I thought my bold debutante Fanny Brightwell had already crossed as many boundaries as I was prepared to have her cross and this was, after all, a Regency romance – albeit a hotter-than-normal one. The action and events had to be credible, given the very few opportunities, or even knowledge, respectable young women had then about those activities to which only marriage gave them licence (to put it demurely :-).)

When the book was edited and the boundaries pushed to everyone’s satisfaction, my husband, who thought it was huge fun that his wife (Miss Goody-Two-Shoes at High School) was writing erotic fiction, gave me every encouragement to continue down this path.

I’ve always been lucky to have enormous variety in my real life with my work and strong contacts giving me access to Norway and Southern Africa as well as to Australia, so it seemed natural not to limit my writing life to just the one name and persona.

Beverley Oakley dangerousgentlemen_msr

Now my fifth erotic historical romance, a Regency called Dangerous Gentlemen, has recently been released by Ellora’s Cave, and again I had a great time developing a background in which an innocent debutante (with a worldly and horrendously manipulative older sister) is accidently plunged into the Regency Underworld. As with all my books, I linked the fictional events to the politics of the time, my hero, Sir Aubrey, being falsely linked to the Spencean plot to assassinate the entire Privy Council in 1817. Events, however, take an odd turn when my well-brought-up heroine, Hetty, finds herself confused for the high-class prostitute who Sir Aubrey’s friend and brothel-madam has promised to surprise him with.

I should add that all of my writing – both as Beverley Eikli as well as Beverley Oakley – has been extremely influenced by a book I bought when I was eighteen years old called London’s Underworld, a comprehensive 400+ page report on the ‘detritus’ of society compiled in the 1850s and early 1860s by a Victorian-era investigative reporter called Henry Mayhew.

While Mayhew’s real-life interviews are sad and fascinating, I found his own judgemental attitude equally interesting. No doubt it reflected Victorian Society’s lack of sympathy and understanding of the real motivations which thrust people into a life of prostitution and other criminal activity. And it’s these motivations as much as the events they resulted in, which interest me.

As a writer, I’m less interested in what my heroine did, than why she did it. What utter desperation would motivate a woman to risk her reputation – essentially, her most prized possession in the era in which I write – to engage in sexual activity not sanctioned by society? Tackling these multi-layered motivations has been an exciting challenge in my erotic historicals which include Regency-era marriages, the storming of castles and hostage-taking during the English Civil War, and blackmail during the early years of photography.

Many thanks once again for the opportunity to visit.

 

AUTHOR BIO

Beverley Eikli is the author of eight historical novels, laced with mystery and intrigue.

She has worked as a journalist, magazine editor, a safari lodge manager in Botswana’s Okavango Delta, and an airborne geophysical survey operator on contracts around the world.

Beverley wrote her first romance at seventeen, but drowning her heroine on the last page was not a clever start to a career as a romance author. When she finally realised this, she rescued her heroine from drowning in her first-published novel (Lady Sarah’s Redemption), and in real life married the handsome Norwegian bush pilot she met around a camp fire in Botswana twenty years ago.

Recently she received her third nomination from Australian Romance Readers for Favourite Historical Romance with her suspenseful Napoleonic espionage Romance The Reluctant Bride.

Beverley teaches in the Department of Professional Writing & Editing at Victoria University, Melbourne.

Her latest Choc Lit release is The Maid of Milan, a dark Regency-era ‘Dynasty’ with love triangle, drug addiction and manipulation themes but an uplifting ending.

She also writes erotic historicals as Beverley Oakley.

You can visit her website at: http://www.beverleyeikli.com/ and her blog at: http//:http://www.beverleyeikli.blogspot.com.au/ or follow her on Twitter: @BeverleyOakley

 

You can buy Dangerous Gentlemen here:

 

Amazon UK: http://amzn.to/1k0uybF

Amazon US: http://amzn.to/1iskcjD

Barnes & Noble: http://bit.ly/1irD7kz

Ellora’s Cave: http://www.ellorascave.com/dangerous-gentlemen.html