Hello, Sue here, it’s my turn on Life Cycle of a Writer. I’ve recently been going through the editing stages of my new novel, Sister, Sister which is due out 6 January and what I love about the writing process is that it’s constantly evolving and I’m learning new skills and ways to do things all the time.
This is my fifth full-length novel to be published and this time I enlisted the help of two writing buddies, or beta readers as they can sometimes be called, for their feedback. It’s the first time I’ve asked for feedback on a whole manuscript from someone other than the RNA NWS, my editor or agent and I have to say, I found their comments invaluable. Not only did they pick up on different points, but they both had issues with some of the same points. The latter being a big red flag to me that those particularly parts of the novel weren’t working as I had intended and definitely needed looking at again.
Every writer has different approaches to their novel writing process and I was interested to find out what works for others. Bestselling authors Sue Moorcroft and Louise Jensen were kind enough to talk about the way they gain feedback and use beta readers.
I’ve used beta readers for ages. It began with being critique partners with Mark West, who writes chillers and gritty crime and was in the same writers’ group as I. We read all of each other’s stuff, in those days. (As I got a bit wussier and some of Mark’s stuff was scary, this arrangement became more one-sided but now his stuff is a bit less scary I’m sometimes reading for him again.)
I struck up a cyber-friendship with another writer, Roger, who wrote erotica and SF (sometimes in the same story) and we beta-read for each other until he sadly left the world.
I also ask for beta-reading help from anybody who has helped with a significant amount of the research for a particular book and I became friends in this way with Dominic via ‘Dream a Little Dream’. His feedback was so analytical and helpful that I asked if he’d fill Roger’s shoes for the next book, which he has done ever since.
It’s very useful for me to have male beta readers. I write partly from the male point of view and they can tell me when I’m not thinking like a man. I take a lot of notice, especially when they both have issues with the same aspect of a novel. Mark and Dominic send me such pithy, wise, and mickey-taking comments that I always look forward to receiving them.
When I decided to write The Sister I was lucky enough to apply for, and gain a place on, The WoMentoring Project, a scheme which provides free mentors for up and coming female authors. I was able to get the first few chapters of my novel looked at and some great feedback as to where I was going wrong. When I felt I had gone as far as I could go with my novel a friend read it for me and suggested some changes, but after I had done these I still didn’t have the confidence to submit my manuscript. I paid for a critique and that was a real turning point for me. Getting professional advice on the market I was entering was enormously helpful as well as an overall view of my plot.
Writing The Gift I have been up against a very tight deadline. The same friend has helped me out again but also a couple of readers who loved The Sister have been happy to give me their opinion on my new story.
Now I am in the infant stages of book 3 I regularly meet up with a couple of writer friends so we can all support each other. I have found that both being critiqued and providing critique have really helped me progress as a writer.
So, now the majority of my edits are complete for Sister, Sister, I’m waiting for the final proof-read and currently working on my next novel for which I shall definitely be calling on the help of my writing buddies and beta readers.