No More Waiting! Catherine’s Debut is Here!

HAPPY PUBLICATION DAY, CATHERINE MILLER!

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Laura: The first time I met Catherine, she was waiting for me at an M3 service station. It was 06:00, it was dark and we were both heading to Watford for the inaugural Festival of Romance. It was October 2011.

We had no idea if the other person was a mad axe murderer, what we really looked like, or whether we’d get along. All we knew was our Twitter handles and the fact we were both in the Romantic Novelists’ Association New Writers’ Scheme.

By the time the car door had shut and we’d pulled away, leaving a rather concerned Mr Miller wondering with whom his wife had driven away, Catherine and I were friends. We did not stop chatting on that journey, or any journey we’ve taken together since. I can’t see us bucking that trend any time soon.

We became writing buddies, fellow Romaniacs, and family friends, and I am absolutely delighted to be able to say, Catherine, congratulations on the release of your wonderful debut, Waiting For You. You have written a gorgeous story that’s full of heart. Happy publication day, my lovely, energetic, make-me-laugh-out-loud, talented friend.

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Catherine & Laura

Sue: Happy Publication Day, Catherine! Waiting for You is officially out there – how fab is that? Since we first met, back in 2011, I have been in awe of your motivation and drive but that’ s not just with the writing, you do an equally awesome job with your twin girls too and I still have no idea how you combine the two roles. Anyway, my lovely friend, who makes me laugh every time we meet, who straight talks and keeps a cool head, here’s to Waiting For You. Sue xxx

Sue & Catherine, Festival of Romance, 2011
Catherine & Sue, Festival of Romance, 2011

Celia: Catherine’s effervescent energy keeps us all going – goodness only knows where she gets it from, but even when she’s been entertaining her lovely,  lively twin girls for hours on end, she can still manage to knock out a fabulous new book. We are now going to watch her fly – go, Catherine!

Celia, Debbie, Lorraine and Catherine
Celia, Debbie, Honorary Romaniac Lorraine, & Catherine

Catherine and Baby Amber

Lucie: I am so proud of you, Catherine, and everything you’ve achieved xxx

Lorraine The Honourary Romaniac
Laura, Vanessa, Debbie, Catherine, Honorary Romaniac Lorraine, Celia, Lucie & Sue
Catherine & Katie Fforde, with the Katie Fforde Bursary Trophy
Catherine & Katie Fforde, with the Katie Fforde Bursary Trophy

Vanessa: I’m so proud of our Catherine –  She’s such a talented writer and worked so hard for this day (even with the distractions of her lovely twins!) and deserves all the success in the world with her wonderful book, Waiting For You.

Vanessa and Catherine
Catherine & Vanessa

Debbie: Oh, Catherine, how proud I am to join in the celebrations of your special day! ‘Wonder Woman’ is the first name to spring to mind. I’m in awe of how you manage to juggle being a wife, splendiferous mummy to toddler twin girls and have achieved what you have writing-wise. You are the personification of the saying, ‘Make every second count!’ I don’t know how you’ve done it in between the sleepless nights, teething, weaning and daytime naps but I salute your energy, resilience and sheer dogged determination to never give in. I often refer to the Romaniacs as a tin of ‘Quality Street’ (each one different and every one someone’s favourite!) Catherine is, ‘the purple one’ – one of my writing besties with the nut (nutty??) middle, wrapped in smooth caramel and coated in chocolate. Purple conveys bold and brave, the nut middle says it all as let’s be honest; you are the nuttiest of the group, albeit you’re sweet with it. It’s as if having the twins has unleashed your potential. You’ve had so many successes; the Katie Fforde bursary was the pinnacle. I tip my hat to you and wish you every continued success because you have so earned this moment. Enjoy my friend. xxxCatherine Quality Street

Debbie and Catherine
Debbie & Catherine

Jan: I’m so pleased for Catherine, as is our faithful Romaniac Honkmeter, which is well oiled and firmly in ‘TOOT TOOT’ mode in celebration of her debut which I cannot wait to read. Congratulations my lovely talented friend. May you have much success and sales galore. Enjoy this special day to the max. You’ve worked so hard and fully deserve all the sparkle coming your way! Xx

Media Stars!
Sue, Catherine, Jan, Laura, Debbie & Vanessa

Many congratulations, Catherine,

and much success,

Love from

The Romaniacs xxxxxxx

Down on the Farm

Catherine Miller and the Girls

 

Life Cycle Of A Writer: Becoming an overnight success!

Something struck me when listening to all of the recent Romaniac interviews. It was this: nearly every successful writer has done a lot of leg work to get where they are.

This was true in lots of the interviews, but I thought I’d highlight two in particular: Natalie Meg Evans and Brigid Coady.

Both of whom mention their long road to publication that almost had them give up, and yet with their persistence, they have both gone on to be award-winning authors.

It’s this persistence and determination to never give up that seems to be true of all authors.

You may have seen in this recent post, my own persistence and determination has paid off and I have signed a two book deal with Carina. I managed to write the majority of my book since having twins so while I don’t consider myself an overnight success, I do think it’s worth mentioning what I learned along the way.

1) Listen: There are so many writers willing to impart their knowledge.

2) Learn: Critique of your work might be hard to hear, but it will help you in the long run.

3) Support: Find writing friends who will support you in a healthy way.

4) Be persistent: I might be overusing this word in this blog, but it might be because I’m being persistent. 

5) Read: Read about writing. Read in your genre. Read because you love to.

6) Make writing a priority: I’ve been guilty of not always doing this. It’s only since having twins and my time has been very restricted that I’ve become more focused. Unless it is urgent, everything else can wait. Apart from the twins, I have been looking after them in between!

7) Reach out: Find writing groups to join. Find associations to join. Go to conferences. Go to parties. The people you meet might give you the single piece of advice you needed or end up being your editor one day.

8) Repeat: Do it again and again and again.

9) The End is never The End: Every writer I know continues to learn and I know really, my journey is just at the beginning. 

What else have you learned along the way that could be added to the list?

Catherine x

CATHERINE CONTRACTED BY CARINA!

CATHERINE CONTRACTED BY CARINA!

Catherine & her two beautiful girls
Catherine & her two beautiful girls

We have superb news for you.

Our very own Catherine Miller has signed a two-book deal with Carina UK!

We’ve been celebrating in style at the Romantic Novelists’ Association annual conference and at Romaniac HQ, with wine and cake aplenty.

Catherine

 We are absolutely delighted for you.

Many congratulations on your wonderful news.

Baby Number Two is a fabulous read and we cannot wait to see your first book baby making its way in the big, wide world 😀

Now, lets hear from the chilled-out mum-of-two and lovely lady herself …

 WAHOO!

Much love,

Your Romaniac Buddies

xxxxxxx xx

P for Plotting, P for Polished, P for Enis …?

Today, we are delighted to welcome Jane O’Reilly to Romaniac HQ. Jane’s been managing without a P …

So you’ve (almost) finished nanowrimo – now what?

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If you’ve been writing for a while, you’ve most probably heard of Nanowrimo. It’s kind of like Movember for writers – instead of facial hair, Nanowrimo involves growing a book. Fifty thousand words, written during November, cut and pasted into the Nanowrimo site which will, once you reach that milestone, declare you a winner.

So you have your 50K words. Or maybe a few more (or maybe a few less). But what to do with them now? Having been on a tight deadline which required me to have not just 50K words, but 50K polished and ready-to-send-to-an-editor words by the end of November, I thought I would talk about my personal process of moving from a first draft to a finished story.

This started for me back in October, when I was asked to write 2 25K erotic romance novellas with a fairly tight turnaround (5 weeks). I had plotted the first, had no idea about the second, and had no written words of either. I got to work and wrote a lot of sex scenes in a very short space of time. Some of them were weird. But we won’t talk about that. More disturbing was the weekend I spent on writing retreat in Devon (with lots of other lovely writers) when the P on my laptop decided to stop working. For the first 5 thousand words of the second novella, my hero had an enis. It was distressing for both of us.

By 19th of November, I had my first drafts of both novellas. Phew. After a couple of hours of recovering from the weeks of panicking that I wouldn’t get those done in time, it was time to start panicking about revising them in time. This is a different sort of panic. It’s not a blank page, I have so much to do panic, more of a what if the story is insane panic. The only solution is to open up the document and read it, preferably somewhere private. People tend to think you’re a bit strange if they see you talking to yourself and crying. We’re often told to take a break from a manuscript before revising it, but my experience has been that if a draft is left for any length of time, it is very difficult to go back to, especially if you have started a new more exciting project. And once you’re on deadline, you won’t have that option. By all means leave it, but for a couple of days. Not for a couple of months (which can all too easily become years).

For anyone who has never revised a draft before, I’d like to start by saying this: revising is more than fixing typos. You do have to fix typos, don’t get me wrong – but a draft isn’t finished when that job is done, and it should be low down on your list of priorities. The first step, for me anyway, is to check that the three act structure is in place. At this point in my writing career, I am definitely a plotter. I didn’t start out as one, primarily because I didn’t know how to plot, but now it is vital. I write to the following structure – ordinary world, inciting incident, turning points 1, 2 and 3 (with a midpoint change that needs to occur exactly half way through the book), high point, black moment, darkest moment and climax. I also try to have the end of the book mirror the beginning as much as possible (so in the first of the two novellas, the book opens at a wedding, with the hero catching the heroine doing something she shouldn’t. It ends with the hero and heroine doing that something at their own wedding). Got all that? Good. If the idea of 3 act structure is new to you, I suggest taking a look at The Writer’s Journey by Christopher Vogler. (Yes, it’s a tome. Yes, it’s worth it.) Alternatively, if you can get yourself on one of her courses, get the lovely Julie Cohen to explain it to you.

As well as a rough plan for the turning points, I also have a fairly good idea of what the book is about (the theme) and some sort of logline worked out before I begin, so that I know the conflict is enough to sustain the story. (For more on this, Save the Cat by Blake Snyder and Techniques of the Selling Writer by Dwight Swain are both useful).

Even with a plan, however, it is still possible to take a wrong turn. Fix the structure first, and everything else will follow. Making sure the structure is right and that I have all the right scenes in the right order takes me through a second draft. Each of those scenes and the sequel that follows on from it also has to have structure – a character must enter a scene with a goal and fail to achieve it, and in the sequel that follows, the character must rethink and set a new goal. (For anyone looking for help with scene structure, I would recommend reading Scene and Sequel by Jack Bickham.)

The third draft involves making sure all the back story is coherent. You know, how the hero was her neighbour at the start of the draft and he was her best friend’s brother by the end. All those threads have to be tied together so that as you move from scene to scene, there is strong internal consistency. I also fix other inconsistencies I find along the way, like random changes of clothing and position, dialogue that doesn’t make sense, and the best friend who started out as Charlotte and ended up as Dave. Random animals have to be removed, together with any unnecessary Star Wars references and/or enises. At this point, I can also start to see where I’ve repeated myself and decide which bits to cut and which to keep. (Saying the same thing 8 times in a first draft is mandatory.)

At this point, I usually put the document on to kindle and read it on that. Changing reading format will give you a completely different view of the story – you will suddenly see the typo in a sentence that you’ve read a dozen times, see which sentences are clumsy and awkward, see where you’ve used the same word 5 sentences in a row. (Yes, you can fix the typos now. You mean you haven’t done it already?)

The final step, which takes me to 5 drafts, is to get the kindle to read the book out loud. More typos and sentences that need to be put down will make themselves known. Plus you get to imagine what it would be like if your sex scenes were being read out loud at a robot book club.

By this point, robot book clubs aside, chances are that you are completely fed up with your book. You may even hate it. This is the point at which to stop playing around with it and send it wherever it needs to go.

But before you do, I have one last task for you. Run spellcheck.

Jane O’Reilly writes contemporary romances for Harlequin Escape and erotic romances for Carina UK. Find her on twitter as @janeoreilly, on facebook at www.facebook.com/janeoreillyauthor or visit her website at http://www.janeoreilly.com/

Jane O'Reilly Cover Pic

Blurb:

When tabloid journalist Erica Parker is forced to take a holiday, she’s determined to make it the most miserable holiday she possibly can, but not even her impressive imaginative powers could have come up with sharing a tent with survival expert Nathan Wilde.    Nathan was a married man with a successful TV show before Erica got to work on his life. Now the hottest man she’s ever met is single, furious, and he’s got her alone in the wilderness for three long days…

Let’s Get Emotional with ‘Doubting Abbey’ author Samantha Tonge

A very warm welcome to Samantha Tonge on the Tuesday Chit-Chat slot.  First of all big Romaniac congratulations on the publication of her debut novel ‘Doubting Abbey’.  Today Samantha is getting all emotional – but in a good way.

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Let’s Get Emotional

Part of the reason I’m so thrilled that my debut novel, Doubting Abbey, is finally ‘out there’ in the big wide world, is that I have several unpublished novels under my bed. It’s been a hard slog, getting published – although a rollercoaster ride along the way, filled with disappointment, yes, but many highs, like the excitement of a new project; my first positive rejection letter; getting the full manuscript requested; finally bagging myself an agent.

In retrospect I can see what was wrong with the very first novels I wrote and one aspect only really became clear in the last year or two, thanks to an editor I worked closely with in the short story world. She said I needed to put even more emotion into my work. It makes sense to me now. Readers love a story if they care about the characters – to care they must feel what those fictional people are going through. Otherwise they might get to the end and ask “what was the point”?

So now when I write, I try harder than ever to put myself into the characters’ place and convey their emotions according to my own feelings. Nerves? Yes, a twisted stomach or sweaty palms. Fear? A dry mouth and racing heartbeat. Love? Flushed cheeks and a warmth spreading through my chest. Someone recently recommended a book to me called the Emotional Thesaurus and it is brilliant at listing such reactions.

Also, as the writer, you need to think of emotional actions, not just physical change. In Doubting Abbey, arrogant hunk Lord Edward is secretly a tortured soul. Hence the occasion when he’ll sit with his head hung in his hands. Pizza waitress, Gemma, who must pretend to be his posh cousin, Abbey, hates all the lies – which could be conveyed by a lack of eye contact and a wavering voice.

The emotional stakes can also be raised by particular storylines – in Doubting Abbey friends from the past are brought together. Reunions are emotional gold, making the reader care not only about the people in your novel, but also the plot and what happens – and not necessarily to flesh and blood. Lord Edward’s family must win reality show Million Dollar Mansion to save their beloved but run-down Applebridge Hall – a building I hope finds a place in readers’ hearts. With its cracked tiles and faded wallpaper, on the surface it’s just bricks and mortar – yet the family portraits from bygone centuries soon tell the tale of a place once filled with vibrant parties, kind-hearted residents, passionate love and unbridled laughter.

So next time you read a book, think about what moves you and makes you care. Have you laughed? Did your eyes well up? Did you fall just a little bit in love with the hero…?

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Swapping downstairs for upstairs… How hard can it be!?
Look up the phrase ordinary girl and you’ll see a picture of me, Gemma Goodwin – I only look half-decent after applying the entire contents of my make-up bag, and my dating track-record includes a man who treated me to dinner…at a kebab shop. No joke!
The only extraordinary thing about me is that I look EXACTLY like my BFF, Abbey Croxley. Oh, and that for reasons I can’t explain, I’ve agreed to swap identities and pretend be her to star in the TV show about her aristocratic family’s country estate, Million Dollar Mansion.
So now it’s not just my tan I’m faking – it’s Kate Middleton style demure hemlines and lady-like manners too. And amongst the hundreds of fusty etiquette rules I’m trying to cram into my head, there are two I really must remember; 1) No-one can ever find out that I’m justGemma, who’d be more at home in the servants quarters. And 2) There can be absolutely no flirting with Abbey’s dishy but buttoned-up cousin, Lord Edward.
Aaargh, this is going to be harder than I thought…

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