Today, we are honoured to have wonderful writer, and dear friend, Giselle Green on our blog. I caught up with her recently to have a chat about her new novel – here’s what she had to say:
Good morning Giselle, thank you so much for coming onto our blog to share the news of your fantastic new novel, Dear Dad.
- I was very lucky to have been one of the people you selected to read Dear Dad a while ago, but for those yet to read it, can you tell us a little about it?
Thank you for reading it, Lucie! And thank you for inviting me back onto the Romaniacs blog – it’s my pleasure to be here.
What it’s about …
A young war reporter suffering from PTSD who’s lost everything that’s dear to him is faced with a difficult dilemma when multiple letters start arriving mysteriously at his flat. Mistakenly addressed to ‘Dear Dad,’ they’re from a young, bullied kid called Adam who’s desperate for someone to help him out of his misery. Only Nate’s not his dad – and he can’t be anyone’s advocate. He can’t even bring himself to leave his flat. Acquiescing to Adam’s plea, he agrees to visit the boy’s school pretending to be ‘Dad’ just so he can explain to Adam’s teacher what’s going on. As Nate and Adam’s pretty young teacher Jenna fall for each other, Nate soon discovers that some lies, once told, are not so easy to recover from…
- Where did the idea come from? Do you choose themes to craft your books from or do you let inspiration lead?
It’s true I’ve had large themes very much in the forefront of my mind in the past (e.g. Hope, faith and Charity, Justice). For this book, the theme was there all along but it was only after I finished it that I finally recognised what it was – kindness.
On a more mundane level, I wanted to talk about ‘Dads’ – I’ve spoken about the role of Mums so often in the past. I wanted to talk about people who take on the fatherly role even when they weren’t the biological dad.
I also wanted to say something about the social isolation so many people seem to suffer from. Even though we’re living on a planet that’s more densely populated than it’s ever been, loneliness and a sense of isolation are endemic. Those are things that can affect anyone – even previously popular, outgoing, successful people like Nate. He falls from a great height. When we first meet him, he’s got this sense of shame, of having somehow ‘failed’, but it’s only when he reaches out in compassion to someone who’s even worse off than he is, that he can start to find healing.
- Dear Dad deals with some very real and very heartfelt issues, was it difficult to write?
Some of the issues in Dear Dad are a little heart-wrenching – the issue of child carers who go unnoticed in the system, for one. Not because there aren’t the mechanisms in government to help them, but because half the time they simply aren’t picked up. It’s a catch-22 situation for some children – they have no advocate, and because they have no advocate, they don’t get ‘seen’.
Any situation where children are the victims is always hard for me – my heart bleeds for them. But because I used a lighter tone for this book, it wasn’t as hard to write as it might have been. And Adam’s ever-optimistic character that shone through all his troubles so stoically made it easier, too
- How did you get into the mind-set of a 9 year old? Did you have help from any children?
That’s a great question Lucie – I really have no idea where Adam’s mindset came from. It was just … there, automatically. Of all the characters in the book, this vulnerable, savvy 9-year-old arrived the most fully-formed and I loved him from the word go. He was so easy to write that when I finished, I didn’t want to leave him behind. I have had six boys myself, as you know, so maybe I unconsciously drew on some of them, when it came to what it ‘felt’ like to be him. I also had some friends with children of about the right age read through to make sure the ‘Adam’ scenes were true to the age group – you are one of the people I must thank for your input in that department!
You are very welcome! 🙂
- Without giving anything away, was there any part of the book in particular that you found difficult/fun to write?
I had so much fun writing the Nate-Adam scenes! They were my favourite ones to write. In those scenes, despite the pathos, I was able to bring a little humour and lightness into my story – something I have been wanting to do for a while.
The scenes which show Nate’s agoraphobic tendencies were tougher. There was the question of actually ‘getting into his head-space’ while I wrote his point of view. For about a week I will confess I felt a bit breathless and reluctant leaving the house – which I put down to being in Nate’s mindset at the outset when he’s really stuck. It wasn’t very comfortable.
- How long did it take you to write Dear Dad, from concept to finished novel? Do your writing journeys differ from book to book?
I had the concept two years ago. I just wasn’t ready to write it then. My initial attempts to get into it threw me back on the realisation that I still had a lot of decisions to make. For instance – was it a father-son story, or a love story, at its heart? I really only got going with it properly this year, so I would say it took a year to write, but maybe six-eight months to get my internal bearings with it.
Yes, every book takes me a different route. I never really feel I know what I’m doing till about half-way to three quarters of the way in, then it all gathers pace. I like to challenge myself with each new book. This book leads with the male perspective – another difficult decision (the first incarnation of this story started with the heroine), but given the subject matter I simply couldn’t do otherwise. I also have three main characters instead of the usual two. While the plot is deceptively simple, writing three people who are closely involved each with the other was a new challenge. My earlier books had a lot more back-story whereas in this one I’ve cut it down to a minimum. The story flows faster and in a more straightforward trajectory as a result. So, there are a lot of departure in this novel, new directions, but I also wanted to maintain what I feel is my stock-in-trade; tempting readers to challenge their perceptions and feelings about certain topics – about what’s right and what’s wrong. I like it when readers feel they’ve been given food for thought
For anyone who is yet to read your books, how would you describe your writing style? Do you think this has differed at all from your first releases?
- While my writing style is evolving (see last answer), my voice remains essentially mine with every new book. That means that – although I may reach out to pastures new stylistically – the ‘person’ and the sentiments behind all my stories remains recognisable from one novel to the next. An author can play around with style and genre but they can’t alter who they essentially are. That said, I write first person present tense, and up to now it’s always been from two different characters’ points of view. It can be a pretty intense and ‘close-up’ way of getting into the character’s heads. The reader gets to know them pretty well. However, I made a deliberate choice to use less introspection in this novel, and concentrate more on what the characters were saying and doing.
DEAR DAD has a different timbre to my previous novels, it’s true. It’s lighter and – while it does deal with some dark subjects – they’re not dwelt upon. That was part of the charm of writing about a child. There is something so compelling and magical about the way that children think.
- Have you began to think about the next project to work on or do you give yourself a well-earned break in between each piece of fiction?
I do like to give myself a break. It’s easy to let yourself become exhausted, otherwise. I’m on the look-out for people and places, tales of people’s lives, and pieces of music that move me and so on, though.
- What is your favourite way to celebrate finishing a book?
I like to give a launch party. Proper party-style, with flowers and fizz and balloons and friends. I haven’t done one in a while, so when the paperback of DEAR DAD comes out in the summer (around June) I plan to do one this year.
Sounds like fun!
For those of you wanting to know more and/or purchase Dear Dad, here it is!
Please click on the book for more details:
Thank you so much, Giselle. On behalf of the Romaniacs and me, we would like to wish you every success with Dear Dad – I hope everyone enjoys it as much as I did.
Giselle has the following online platforms:
Website – http://www.gisellegreen.com
Facebook Page- https://www.facebook.com/gisellegreenauthor/?fref=ts
Twitter – https://twitter.com/gisellegreenuk?lang=en-gb
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Here, at Romaniac HQ, we’re preparing for spring and all the loveliness it brings – fresh hope, new ideas, Easter eggs …
cold virus that swept the nation. Thankfully we were on the mend come Christmas and New Year as I spent the last part of December gearing up for the paperback launch of What Doesn’t Kill You. I took the Romaniac bus on a virtual blog tour starting on launch day, 9th January, and gigging all over the country right into the following week. No hotel rooms were smashed up, but there was plenty of celebrating and digesting of cake. I had a short story printed in February’s edition of Your Cat Magazine, and a book signing event at the ever-supportive Waterstones Dorchester on February 18th. And yesterday I received my first WH Smith shelfie. I knew WDKY was going into WH Smith Travel stores, but I hadn’t seen one for myself until Sue posted the photo.
The Romaniacs 