Tuesday Chit-Chat with Jean Fullerton

Hi Jean, it’s great to see you here at Romaniac HQ. How about a welcome cuppa? Tea or Coffee? Oh, and a slice of one of Celia’s legendary cakes (naturally…)

Tea, please, and just a sliver of cake. 

jean1

We know it’s a hectic week for you (excitingly so) as your new novel Call Nurse Millie is being published on Thursday. Can you tell us a bit about Millie and her story?

We meet Millie on VE day in 1945. As the bombs stop and the troops begin to return home, the inhabitants of London attempt to put their lives back together. For 25-year-old Millie, a qualified nurse and midwife, the jubilation at the end of the war is short-lived as she tends to the needs of the East End community around her. But while Millie witnesses tragedy and brutality in her job, she also finds strength and kindness. And when misfortune befalls her own family, it is the enduring spirit of the community that shows Millie that even the toughest of circumstances can be overcome.

Through Millie’s eyes, we see the harsh realities and unexpected joys in the lives of the patients she treats, as well as the camaraderie that is forged with the fellow nurses that she lives with. Filled with unforgettable characters and moving personal stories, this vividly brings to life the colourful world of a post-war East London.

Although I’m a district nurse, I had a great deal of pleasure researching the equipment and techniques she used to nurse her patients, which are so very different from the ones I used during my time on the District.

Nurse Millie

How has the run-up to publication been for you? Can you give us a teaser about what’s involved?

In a word: hectic. All writers, be they with a large publisher like myself or self-published, need to do a great deal of promotion. My publisher handles the national press and trade publicity but since I handed in the second part of Millie’s story to my editor in February, I have written at least a dozen blogs and articles.  Over the past five years I’ve built up many contacts in local newspapers and radio and I’ve been getting in touch with them for feature articles and afternoon slots on chat shows.

Your knowledge and fondness for the East End of London shines through in all of your novels, Jean. What would you say are the main contributing factors behind their authenticity?

That’s very kind of you to say so. I think the main reason for my books authentic feel is that I know the area and the East End culture through and through. And not because I’ve read books and researched, which I have, but because it is the place where I was born and raised. It’s in my bones, and as I write long-forgotten snippets from my childhood. Stories told to me of what the East End used to be like drift back into my consciousness. In Call Nurse Millie, I draw on much of my immediate family’s history to bring the post-war Docklands alive. Also, and probably more importantly, I just love the place.

You clearly love English history but what in particular inspires you about the 18th and 19th centuries in which your books are set?

To my mind, the Victorians invented the world we live in today. Things we take for granted like railways, mass produced consumer goods, civil engineering, modern medicine and even bank and company regulation, started in the Victorian age, not to mention many revolutionary ideas such as social responsibility of the rich to the poor. It’s also history you can touch as most of us have old sepia photos of our own Victorian ancestors and thanks to the Victorians love of detail, we have the priceless records of the 19th century censuses to draw on for research.

Which genres do you enjoy reading?

Although Historicals always catch my eye, a book for me is always about the story but I try to read something I wouldn’t write, such as a juicy crime by Lee Childs or well-written women’s fiction by people like Carole Matthews or Julie Cohen. I find it difficult to read my own genre as I find myself turning from a reader into a writer and I start thinking ‘I would have done this or that’ and so it pulls me out of the story.

Describe a typical writing day for you, how it ties in with your day job.

I no longer work as a district nurse but lecture in nursing studies at a London University so my day-job hours are more writing friendly. Most days I’m home by 4.30pm so I reply to any emails that I couldn’t deal with in my lunch break then me and the Hero-at-Home prepare the evening meal together. We usually eat at 6.30 as he is often out to 7pm meetings.  I go up to my office at 7ish and write until 9.30 when I take a TV break for an hour or so, then most nights back up again from 11-12 midnight to read through and fiddle with what I’ve just written. We both have busy lives, so try to have Friday night as our time together, usually in a local hostelry. I also work Saturday and Sunday afternoons if the family- of three grown up daughters, son-in-laws and their offspring- aren’t around.

You’ve given many valuable author talks and conducted various successful writing workshops – what are the most enjoyable and rewarding aspects of these?

The thing I love most about both my talks and workshops is meeting people, particularly if someone tells me how much they loved my book. That’s why I write, after all, to bring others into my stories. I also enjoy helping and guiding others as they learn the necessary skills to write their own page-turning novel.

Who or what (or both) would you credit with being the biggest influence on you as a writer?

That’s difficult to say but I suppose the writer who got me into this was Anya Seton with her fabulous book Katherine but the biggest influence has to be the wonderful Romantic Novelists’ Association who helped me learn my craft and encouraged me to stick with it.

Any other creative passions, Jean?

My dad was an amateur artist and I used to be quite good at drawing and painting but I don’t do it now, however, I am very visual so enjoy art galleries and exhibitions. I often use old photos of East London to help me when I’m writing.

How will you be celebrating Call Nurse Millie’s launch on Thursday?

Packing my suitcase for my well-earned Mediterranean cruise the day after.

And finally, as is customary here at HQ, a few quick-fire questions for you:

Favourite London Landmark? Tower of London

Charles Dickens or Jane Austen? Jane Austen

Celebrity you’d most like to be stuck in a lift with? Hugh Jackman- for the obvious reason!

Guilty Pleasure? Haribo Tantastics

Theatre or Museum? Museum

Dream Holiday Destination? Anywhere on a cruise ship.

Sunday Roast with all the trimmings or Fish & Chips? Sunday Roast.

Novel you never tire of reading? Katherine by Anya Seton.

Jean, it’s been an absolute pleasure chatting to you. Best of luck with Call Nurse Millie.

You can connect to me on my website at www.jeanfullerton.com to find out about me, my previous books, and my East London heritage along with pictures of the actual locations I use in my books.

You can also find me on Facebook as Jean Fullerton and follow me on Twitter as @JeanFullerton__
To buy. http://www.amazon.co.uk/Call-Nurse-Millie-ebook/dp/B00BMUVRT0/ref=sr_1_1_bnp_1_kin?s=books&ie=UTF8&qid=1363208639&sr=1-1

Book Review – A Stitch in Time by Mandy James

a stitch in time

Mandy James’ time-travelling extravaganza A Stitch in Time starts with a complete drenching for its heroine Sarah, and hurtles on to give breathtaking snapshots of life in the American West, the 1920s and the Sheffield Blitz. Sarah starts out as a victim after a disastrous end to her relationship and a double betrayal, but fairly soon begins to gain ground and to get her teeth into the fearsome challenge thrown at her by the delectable ‘Needle’ John. Still nervous, unsure of why she’s agreeing to do the things he asks and afraid of failure, Sarah’s stressful teaching job (very accurately and amusingly painted) takes a back seat as she becomes absorbed into these strange new worlds. She meets characters who both intrigue and exasperate her, and in the meantime, fights hard not to fall in love…

 
I loved this book from the first paragraph to the very last page, rooting for the feisty Sarah all along, and hoping against hope that she would find happiness with the right person and not somehow get stuck in time, unable to return to sort out the train crash of her life. The concept of the relationship between a ‘Stitch’ and a ‘Needle’ is quite mind-boggling, and the prospect of all the things that could go wrong for Sarah is so haunting that I rushed to finish it to see if Sarah made it home safely and then immediately wished I had made it last longer.  The different periods of time are entertainingly described with enough historical detail to set the scene thoroughly but not so much that it feels as if you’re being secretly educated! I can’t wait to read more by this author.

mandy james

Tuesday Chit Chat with Anna Jacobs

Good morning to all!
It is my privilege to be joined by the prolific international and award winning writer, Anna Jacobs today.

Welcome, Anna. I hope it’s not too early for you (or is that late over there in Australia?) Anyway, pull up a chair and make yourself at home. I’ve been looking forward to this. I’ll get the chocolate croissants out and put the kettle on. What’s it to be – tea, coffee, herbal – how do you usually start your day?

I’m happy to be here, Debbie. We’re eight hours ahead of the UK here in Australia, which makes it ‘interesting’ to do business sometimes. I don’t mind very early mornings, as I wake at 5am bright and alert, but by 7pm I’m getting tired. Oh, how I’d love a chocolate croissant. Sadly, I’ve become cereal intolerant (not just wheat) so can’t have croissants any longer. And I’m a low calorie cordial girl. I’ve never in my life drunk tea/coffee or even herbal, because they taste so bitter.

I start my day by tiptoeing out of the bedroom and leaving my husband in peace, then stroll across the house to my office where I’m queen of the quiet morning world inside and out. I love that time of day. I then answer my emails, which come from all over the world.

The Romaniacs and I would like to congratulate you on your latest publication, The Trader’s Dream. How has the launch been?

Thank you for your kind words. The Trader’s Dream has gone bravely out into the world and is selling well, which means people are wanting to read it, which is what matters most to me. Strangely, I’ve never had an actual book launch, even though my 60th novel comes out next year. I know regular readers have been waiting eagerly for the next Trader book. This is No 3 and No 4 (The Trader’s Gift) is written and in preparation at my publisher’s, but I haven’t even begun to write the last book in the series yet.

With all the books you’ve written over the years you must have seen many changes in the marketing side of things since you first set out on the path to publication. How do you feel about self-promotion and the different hats a writer must wear in today’s market? Do you find self-promotion daunting?

I don’t find it daunting to do promotion, but I wish I didn’t have to spend so much time on it, because I’d far rather write more stories. However, people are so nice when I give talks, etc, that I end up enjoying myself. It’s nice to get out of the house sometimes.

I didn’t do any promotion when I was first published. My publisher did a few things without me. Now, I do guest blogs, run a readers’ email newsletter (approximately monthly) and have a huge website.

What started you off down the road as a writer and how long did it take you from concept of your first novel to publication?

LOL, I got the idea for my first novel on my way to book my wedding, way back when. My mother and I were sitting on the top of a double-decker bus, and saw a narrow little back street in Oldham called Salem Street. I wondered what the people were like who first lived there. My story is about imaginary people in a similar street, of course. I didn’t write it for twenty years, but I never forgot the idea. That turned out to be Salem Street the novel, which was published in 1994 and is still going into reprints, I’m delighted to say. It wasn’t my first novel published, but it was my first ‘real’ idea for a story.

I started telling myself stories when I was two. I guess it was born in me. When I wrote my first novel seriously, not just dabbling, it took me two years to finish it and it didn’t get published for another ten years, after a major rewrite. Writers’ early skills aren’t always up to scratch, and they need to write a lot to practise, just as an athlete can’t do the Olympics without a great deal of training.

 You’re very supportive of new writers and an active member of the RNA. If you could give one piece of advice for a wannabe writer, what would it be?

Don’t rush out and self-publish your first novel as an ebook. Keep it for later and write another. Most first novels are learning pieces and you’ll probably cringe when you read yours in a few years. But you’ll have better skills to polish it later, so it won’t be wasted. Think of writing as a long-term career, identifying and developing the skills needed, preparing yourself in every way possible. Editors don’t do this for writers nowadays; you’ll have to do it yourself.

Having read MANY (it must be over twenty) of your historical/saga books, I think I could pick up any without a cover and know it’s you who’d written it. Looking back to your first novels; Persons of Rank (1992) and the first of your sagas, Salem Street (1994) how would you say your writing style has developed?

I’m glad you’re enjoying my books. Do you know, my husband and daughters say exactly the same thing, that they could recognise my ‘voice’ as a writer anywhere. I think my writing style has become more polished, though, and I write shorter books.

My first book published was ‘Persons of Rank’, a regency romance in the style of Jane Austen and Georgette Heyer. I wrote it for fun, but I didn’t continue in that genre.

I write shorter stories these days that dive straight into the action. No more 140,000 word tales, but 80-100,000. I think I craft the story better and get my point across more skilfully. But there’s always something to learn or improve where novel writing is concerned, which keeps me interested.

I also write modern novels these days. A story recently published is one of my own favourites: ‘Winds of Change’. The paperback should be out soon for that.  

To what extent has the RNA helped you?

I was already published when I joined, but the companionship has been invaluable – and please don’t undervalue that. I live in a small country town in Western Australia, one of the most isolated ‘advanced’ countries on earth. It’s even a long way from the rest of Australia! It’s a lonely life anyway, writing, but more so when you’re a long way away from meetings, etc.

The other good thing from the RNA is that I can keep in better touch with the UK publishing industry via the people on the chat list and via other things the organisation offers. That is so helpful.

You seem very much a family person. That must have meant a fair bit of juggling; writing, managing home and family, and I read that you have several health problems, including M.E and Arthritis. Over the years how have you managed to do it all, and to produce three books a year, especially living with chronic illness?

Family are the most important of all. I love mine very much.
You can live with chronic illness and ignore/manage it, or you can sink into a self-pitying heap. I’m not letting anything stop me from writing, so I push problems into the background. Anyway, the ME is well under control these days, thanks to an innovative group of doctors here who treat patients by rebalancing the body chemistry. Mine was haywire. The ME only shows up when I’m stressed, and I get fuzzy brained, so I avoid stress as much as possible. Arthritis happens to most of us as we grow older, so really, it proves that I’m doing well! I’m still on the right side of the grass! And I’m still writing. I don’t need to be fit enough to run races – well, I never was sportingly active. Pitiful is the best way of describing me trying to catch or hit a ball.

I understand you live some of the time in Australia, and the northern hemisphere summers in Wiltshire. What took you to Australia? And do you tend to write differently or have different projects on the go, depending on what part of the world you’re in, or write for different markets?

We emigrated to Australia for a better life – the usual tale – and also for me to avoid snow, which I hate with a passion. But it’s lovely to enjoy both countries – as long as it doesn’t snow in summer in the UK.

We’d wanted a holiday home in the UK for a long time, but couldn’t find something it was safe to leave for half the year. Then one day I found a leisure village in Wiltshire, sent my sister along from Bristol to look at it, and she said it looked good. We bought a block and ordered a house the next day. It sounds impulsive, but we’d been looking for years and knew exactly what we wanted.

When I’m in the UK, it’s harder to find as much writing time, as I have a sister there, and my husband has a brother and sister. So we socialise more frequently. But being there also helps with my research and with getting in the UK mood for my modern novels, which are set in both Australia and the UK. The experience of living in two countries enhances our lives greatly and we both love it. Mind you, I try to write my historical novels in Australia, as I have my big reference library there, and my modern stories in the UK. But it isn’t always possible.

I hear you’re as big a reader as a writer. What’s on the bedside cabinet and do you read alongside when you’re plotting and writing?

I read three novels a week. What I don’t read much is sagas, since I spend two-thirds of the year writing them. Enough is enough. I read a lot of modern novels, especially by American authors like Robyn Carr and Sherryl Woods, who write such warm complex tales of families and friends.

I like reading cosy mysteries – Miss Marple type, not gruesome or super-violent ones. I think Jacqueline Winspear is my favourite writer of these, but I like Lillian Stewart Carl’s gentle Scottish mysteries too.

The Trader’s Dream, your latest book is almost your sixtieth novel!  And you write three novels a year. How do you work it – do you have more than one book at a time on the go, and how do you keep coming up with all these ideas?

I can’t write more than one book at a time, so I just work till I’ve finished one. I prefer to write every day, to keep ‘inside’ the story. I could push myself and write four novels a year, but I have a life outside writing, so I don’t. I have a gorgeous husband, two daughters, son-in-law and grandson, and some very lovely friends.

I find it refreshing to write different types of book. For instance, though I write historical novels for two of my three publishers, one requires novels set in Australia and the other isn’t allowed that, so I set them mainly in Wiltshire. My modern novels can be set in either country.
As for ideas, they well up all the time. I wish I could write faster to keep up with them.

I used to write fantasy novels as Shannah Jay and I miss that, but there are only so many hours in the day. My Shannah Jay novels are on sale from my website, by the way.

Oh, and I’ll never be remembered for my dusting or ironing, as I don’t do such silly activities. I was born without any domestic genes and pay other wonderful people to do those chores. I’d rather write.

  The third in your Traders series, what’s The Trader’s Dream about?

Bram Deagan dreams of bringing his family from Ireland to join him in Australia, where he now runs a successful trading business. But when a typhus epidemic strikes Ireland, it leaves the Deagan family decimated. And, with other members of the family scattered round the world, there is only Maura Deagain left to look after her orphaned nieces and nephew.

Forced to abandon her own ambitions, and unsure whether she is ready to become a mother figure to three young children, Maura recognises that their only hope is to join Bram in far-away Australia. So they set sail on the SS Delta, which will carry them there, via the newly opened Suez Canal.

It is only when a storm throws her and fellow passenger Hugh Beaufort together that Maura realises this journey may also give her a chance to realise a dream she set aside years ago – to have a family of her own. That is, until someone from Hugh’s past threatens to jeopardise everything.

 
I’ve waited ten years to write a story with the background of the opening of the Suez Canal. It was such a fascinating event. You can find out more about the story and the research behind it, and read the first chapter, on my website at www.annajacobs.com

There are no doubt other projects already in the pipeline. So what’s next?…

I have already written Book 4 in the Traders – The Trader’s Gift. There will be five in all.
I have a modern novel coming out at the end of January. A Place of Hope is set on the moors just outside Littleborough, Lancashire, and is on one of my favourite themes – people making new lives for themselves. People of all ages do this all the time in real life and I’ve found it leads to some fascinating tales in fiction.

And I’m just starting a new series of Wiltshire sagas. I’m having fun setting up a tale that will cover three books.

I tell myself, one day, if I ever get that book deal, I’m going to employ a cleaner and gardener! Finally, as such a successful and prolific writer, you’re in the enviable position that you must earn a reasonable living for it to be your main ‘day’ job. What little perks or ‘luxuries’ has writing afforded you?

Writing has paid for our second home in England, because we’ve always been moderately careful with money. Writing allows me to buy any book that takes my fancy – to me, that’s riches.

I’m not much interested in jewellery or fashion, especially not the ‘daft’ fashions like walking on stilts that some women are doing these days. They call them shoes, I call them stilts, and don’t they give the wearers an awkward, ungainly gait, like limping camels!

We’re not rich but it’s nice that we’re comfortable enough to be able to pay school fees for our grandson. I do most truly believe in education, because your brain is what guides you through life, so it needs good training and exercise because it’s going to have a lot to cope with over they years. I love that my own writing means research and creativity, which means keeping my brain alive.

Well, I guess we’re coming to the end of our time together … unless you’d like to stay for lunch? …

I’d love to stay for lunch. LOL. But you’d have to get a list of my food allergies first. Drives me mad. I love that there are lots of Indian restaurants in England, and pub lunches with jacket potatoes, because I can’t do bread/pasta stuff.

Oh, I can imagine that must be tricky for you. I can’t imagine a life without pasta!  

Anna, my mum, best friend and her mum are also huge fans. I’ve already bought my copy of The Trader’s Dream and suspect if we meet any time soon, I shall have to buy a few copies of your latest novel and ask you to do a mass signing.

I’m happy to sign books any time. If you’re ever in Wiltshire . . .

Thank you. I might just take you up on that. I do hope we get to meet you one of these days. Thank you so much for taking the time out of your hectic schedule to be our guest today. We wish you every success with your current novel and, of course, all those still to come…

Anna Jacobs is published mainly as Anna Jacobs, writing historical sagas and modern novels alternately. Some books are set in the UK, others in Australia, or both countries. She used to write fantasy novels as Shannah Jay and these are available again as ebooks.

You can find Anna at:

Web address: http://www.annajacobs.com/

Facebook:https://www.facebook.com/pages/Anna-Jacobs/190765660967982?fref=ts

Buy the latest book here on Amazon Or The Book Depository also send books anywhere in the world, postage free: http://www.bookdepository.co.uk/Traders-Dream-Anna-Jacobs/9781444711318

And January’s book, A Place of Hope is now listed here on Amazon, available for pre-order.

If you’re interested in being kept up to date with information about Anna’s books, you can sign up for her email newsletter. You’ll receive news approximately every 4-6 weeks and be the first to hear the news of coming books and what she’s currently writing.

To join click on:  Join email newsletter  and send a blank email.

Tuesday Chit Chat with Charlotte Betts

I’m happy to welcome award-winning historical novelist Charlotte Betts onto the blog today. Charlotte’s first book, The Apothecary’s Daughter, was published by Piatkus in August 2011 and won the YouWriteOn Adult Book of the Year Award 2010, the Romantic Novelists’ Association’s Joan Hessayon Award 2011 and was shortlisted for Choc Lit’s Best Historical Read. The sequel, The Painter’s Apprentice will be published in August 2012 in large format paperback and in paperback in February 2013.

Q: Charlotte, would you like to tell us about your books and your journey to publication?
I started to write about 12 years ago when I couldn’t find anything I wanted to read. I enjoyed the mental challenge of fitting together all the pieces of a mystery story and finished it in three months. Writing was addictive and each novel took longer than the one before while I read everything I could find on how to plot and develop characters. I didn’t allow rejections to put me off and joined a writers’ circle.  My first novels were all contemporary but number six was set in WWII. Of course, some people would say that is historical fiction but it doesn’t feel like that to me as it was written about the time when my parents were young. Researching that novel was absorbing and so I decided to try a ‘proper’ historical and chose Restoration London for the setting. I read Pepys diaries and then Nicholas Culpeper’s Herbal and The Apothecary’s Daughter was born. When I finished writing it I was sad to leave the characters behind so began The Painter’s Apprentice, which is about the next generation of the same family.

The Apothecary’s Daughter
Susannah Leyton has grown up in her father’s apothecary shop on bustling, malodorous Fleet Street and she impresses even dour Dr William Ambrose with her medical knowledge. Embroiled in a battle of wills with her new stepmother, Susannah receives a proposal of marriage from William’s handsome and charming cousin. As the plague sweeps through London, tragedy strikes, and, for Susannah, nothing can ever be the same again.

 

The Painter’s Apprentice
Beth, a gifted botanical artist, declares she will never marry since she intends to dedicate herself to her art. But then Noah arrives from Virginia and sparks off a chain of events that change her life forever. She makes friends in high places and, against a background of rising political unrest, she plays a small but crucial part in the Glorious Revolution and so alters the course of history. 

Q: The Apothecary’s Daughter is your first published novel but you wrote 6 previous unpublished contemporary ones before that. Would you consider putting any of these forward for publication now or do you think you’ve found your genre?
I have a soft spot for the WWII novel and perhaps I’ll pull it out of the drawer at some time in the future but for now I’m enjoying the C17th. I do still make the occasional foray into contemporary fiction with short stories.

I’m very happy writing historical fiction. I particularly love the research, visiting historical sites and listening out for echoes of past lives and their stories. My plots always have a strong love interest. Since I’m a new author I believe that I need to consolidate by writing more historical fiction for a while. Perhaps I’ll write something more contemporary in the future under a pen name.

Q: Has being published lived up to all you expected it to?
Yes and no. I still have a shiver of pleasure down my back every time I see a copy of The Apothecary’s Daughter on the bookshelves or receive a compliment from a reader. I’m beginning to believe that I am a real writer and that They won’t find me out after all! What did catch me out was believing that when you sign a two book deal you may think you have a whole year to write the second book. Not true. You spend a lot of time editing Book 1 and, in my case, setting up a website, blogging, signing books and networking whilst working full time and trying not to neglect the family. Oh, and writing Book 2.

Q: When did being published first seem possible and not just a dream?
When I found an agent. I knew that nothing was certain but you are taken more seriously if you have an agent.

Q: Who was your favourite author as a child, as a teenager and now?
As a child I loved CS Lewis’s Narnia books, as a teenager I read all of Mary Stewart’s romantic suspense novels and now I enjoy Philippa Gregory’s historical novels.

Q: Is there any genre, completely out of your comfort zone, you’d really like to try?
Science Fiction. I used to read a lot of SF as a teenager and have written a short story or two in that genre. In some ways it’s not that different from historical fiction as you are still creating a believable world that is unfamiliar to your readers. And I’d love to write crime novels.

Q: If you weren’t a writer, would you have any other ideal job in view of your interests?
If I had money to invest I’d like to renovate and develop old properties.

Q: Which three attributes would your ideal hero possess?
He must have a sense of humour and be kind. It would be good if he was tall, too.

Q: You won the YouWriteOn Adult Book of the Year Award in 2010. ­ How influential was YouWriteOn in helping you find an agent and get The Deal?
The members of YouWriteOn helped me to be objective and to learn to accept criticism. It wasn’t all kind but neither are all readers. YWO was instrumental in finding an agent and without my agent I probably wouldn’t have been signed up by Piatkus. The YWO Adult Book of the Year award came after I’d signed the publishing deal.

Q: Do you thinks forums like YouWriteOn and Authonomy are the future for writers to get noticed by agents and editors? Are they the new slush pile?
Forums like these are only one of the ways to be noticed by agents and editors. But it worked for me and for my friend Katherine Webb, who was in my writers’ group, too. Inevitably these forums show the work of both experienced and new writers, who may still have a great deal to learn. An agent or publisher will quickly sift out the jewels in the mud.

Q: What do you think about Authonomy publishing its own books now? Would that have been a route you’d have considered taking if it was offered by YouWriteOn?
You can publish your novel through YWO but I had set myself the goal of being traditionally published. At that time self-publishing had a way to go and I didn’t have the funds or the confidence to go it alone to market my books. The experience I have gained by having a brilliant editor at Piatkus (Lucy Icke) has been extremely valuable. Authors who self-publish sometimes launch into publishing their work before it’s ready.