I’m very happy to welcome Sam Eades, senior commissioning editor and associate publicist at Orion, to the blog today, answering some questions and offering some great advice!
Hi Sam, and welcome. Can I start by asking you to give us an insight into your day to day role?
I am a senior commissioning editor and associate publicist at Orion. I’ve been here seven months now, following stints at Transworld, Headline and Macmillan in the publicity department. I have an unusual role in that I both commission fiction AND publicise it! And no, I don’t publicise my own books, I think I’d annoy myself too much. No day is the same but some of the day to day tasks I might do include on the pr side: circulating coverage to agent, author and sales team; pitching for media; accompanying an author to interviews and events; pitching a book at an internal meeting; organising an author tour and on a really good day lunch with a journalist.
And on the editorial side: taking new business to the acquisition meeting; following up on submissions from agents; preparing an offer and a pitch letter for someone I want to take on; checking over a contract; briefing covers; checking metadata to make sure books feature in the right categories on Amazon; responding to an agent query about an existing author; looking at trends and anticipating trends in the fiction market for future commissions and on a really good day lunch with an agent!
As a child, was there a book or a series you returned to over and over? What was it that drew you in?
I’m embarrassed to say I owned every Goosebumps novel ever published. Ahem. I was a big Agatha Christie fan, I read lots of classics, Enid Blyton, Judy Blume, Roald Dahl, Anne Fine before moving on to all the books on my parent’s shelf, Virginia Andrews, Jilly Cooper, James Herbert!
At what point did you know books were, or had to, feature heavily in your life?
My mum took me to the library once a week, and a voracious love of reading began. The first Brownie badge I got was a Book Lover badge which may have been a clue as to where I would end up. I didn’t realise publishing was an actual industry where people had jobs until a work experience placement at Little Brown.
What advice do you give to those wishing to pursue a career in publishing?
Apply to internships at big publishing houses, small publishing houses, literary agents, scouts and freelance pr agencies. The more placements you apply for, the more experience you will get and the more likely you are to be in the right place at the right time when a vacancy comes up. Don’t limit yourself to editorial; there are a number of creative and exciting departments and individuals, who are responsible for bringing a book to market. Read Make Your Mark by Aliza Licht, it will teach you how to make the most of an internship and be remembered without being pushy. Once you land a placement, have a look at the publisher’s catalogue and familiarise yourself with their list. A heads up that entry level jobs involve admin and support work.
What book have you read most recently that you just can’t get out of your head?
Most recently, I really enjoyed Amy Cuddy’s PRESENCE *power poses at desk*. Over Christmas I read a ton of classics I’ve always wanted to read including Shirley Jackson’s WE HAVE ALWAYS LIVED IN THE CASTLE and COLD COMFORT FARM. I also was very lucky to get a proof of Curtis Sittenfeld’s ELIGIBLE and I loved every single word of it. I’m remembering that book now with a huge smile on my face.
What submissions would you love to see arrive in your in-box? / What’s your current wish list?
Where to begin! I would love to find a British suburban Ripley, a bit like Phil Hogan’s A PLEASURE AND A CALLING. Having read so many psychological thrillers, I’m leaning towards something warmer, a vintage set or vintage feel cosy crime series would really hit the spot. I think JoJo Moyes is a genius, and would love to find women’s fiction that packs an emotional punch like ME BEFORE YOU. I really enjoyed books like THE SHINING GIRLS and FIRST FIFTEEN LIVES OF HARRY AUGUST, so a high concept crime/sf thriller. Basically I like twisty, high concept novels, a good weepy or to channel my inner Poirot. And despite reading psychological thriller after psychological thriller I still can’t get enough of them! Finding the new Ruth Rendell would be nice. I like multiple voices, deftly balanced past and present narratives, mysterious prologues where we don’t discover who is narrating until the end… etc etc!
Did you ever want to be on the other side and write a book?
What is your favourite / least favourite part of your job?
Hanging out with your favourite authors and reading is the best bit. Eating sausage rolls at train stations in the middle of nowhere is the worst bit.
Is your taste in books the same as your taste in films or do you find they differ?
I love twisty American thrillers like INCEPTION and SHUTTER ISLAND, so there is some crossover there. I’m a real Netflix addict and enjoy PRETTY LITTLE LIARS, REIGN, THE GOOD WIFE etc. I’d love it if fiction could be as addictive!
Do you have any advice / top tips for writers?
These four books have been helpful to me on the editorial side. 1. INTO THE WOODS by John Yorke. It will help with plotting and examines the plot structures of famous books, films and tv series. 2. WRITING THE BREAKOUT NOVEL by Donald Maass. There are some great sections on landscape, character development, coming up with a theme and creating tension. 3. ON WRITING by Stephen King. Will fill you with pride at being a writer. 4. SAVE THE CAT. A book on scriptwriter than can be applicable to books (and recommended by @Mushenska no less). It will help you come up with your pitch, which will be invaluable when contacting agents.
For anyone dreaming of being published by Orion, do you have any advice?
Do you accept unagented submissions?
Have a look in the acknowledgements for your favourite books and books you feel are similar to your WIP and see who the author’s agent is. Get a copy of the WRITERS AND ARTISTS YEARBOOK, find those agents and check out their guidelines and look at their websites too. Here are some great articles on how to submit and land an agent:
If you can’t get an agent, don’t think all is lost. We have periods of open submissions at Orion with Gollancz and have a creative writing competition with Good Housekeeping. Authors we have published include Eva Holland and Diana Bretherick.
Thanks Sam for taking the time to come and chat with us!