Giselle Green – Dear Dad

img_3901Today, we are honoured to have wonderful writer, and dear friend, Giselle Green on our blog. I caught up with her recently to have a chat about her new novel – here’s what she had to say:

Good morning Giselle, thank you so much for coming onto our blog to share the news of your fantastic new novel, Dear Dad.

  • I was very lucky to have been one of the people you selected to read Dear Dad a while ago, but for those yet to read it, can you tell us a little about it?

 

Thank you for reading it, Lucie! And thank you for inviting me back onto the Romaniacs blog – it’s my pleasure to be here.

What it’s about …

A young war reporter suffering from PTSD who’s lost everything that’s dear to him is faced with a difficult dilemma when multiple letters start arriving mysteriously at his flat. Mistakenly addressed to ‘Dear Dad,’ they’re from a young, bullied kid called Adam who’s desperate for someone to help him out of his misery. Only Nate’s not his dad – and he can’t be anyone’s advocate. He can’t even bring himself to leave his flat. Acquiescing to Adam’s plea, he agrees to visit the boy’s school pretending to be ‘Dad’ just so he can explain to Adam’s teacher what’s going on. As Nate and Adam’s pretty young teacher Jenna fall for each other, Nate soon discovers that some lies, once told, are not so easy to recover from…

  • Where did the idea come from? Do you choose themes to craft your books from or do you let inspiration lead?

 

It’s true I’ve had large themes very much in the forefront of my mind in the past (e.g. Hope, faith and Charity, Justice). For this book, the theme was there all along but it was only after I finished it that I finally recognised what it was – kindness.

On a more mundane level, I wanted to talk about ‘Dads’ – I’ve spoken about the role of Mums so often in the past. I wanted to talk about people who take on the fatherly role even when they weren’t the biological dad.

I also wanted to say something about the social isolation so many people seem to suffer from. Even though we’re living on a planet that’s more densely populated than it’s ever been, loneliness and a sense of isolation are endemic. Those are things that can affect anyone – even previously popular, outgoing, successful people like Nate. He falls from a great height. When we first meet him, he’s got this sense of shame, of having somehow ‘failed’, but it’s only when he reaches out in compassion to someone who’s even worse off than he is, that he can start to find healing.

  • Dear Dad deals with some very real and very heartfelt issues, was it difficult to write?

 

Some of the issues in Dear Dad are a little heart-wrenching – the issue of child carers who go unnoticed in the system, for one. Not because there aren’t the mechanisms in government to help them, but because half the time they simply aren’t picked up. It’s a catch-22 situation for some children – they have no advocate, and because they have no advocate, they don’t get ‘seen’.

Any situation where children are the victims is always hard for me – my heart bleeds for them. But because I used a lighter tone for this book, it wasn’t as hard to write as it might have been. And Adam’s ever-optimistic character that shone through all his troubles so stoically made it easier, too

  • How did you get into the mind-set of a 9 year old? Did you have help from any children?

 

That’s a great question Lucie – I really have no idea where Adam’s mindset came from. It was just … there, automatically. Of all the characters in the book, this vulnerable, savvy 9-year-old arrived the most fully-formed and I loved him from the word go. He was so easy to write that when I finished, I didn’t want to leave him behind. I have had six boys myself, as you know, so maybe I unconsciously drew on some of them, when it came to what it ‘felt’ like to be him. I also had some friends with children of about the right age read through to make sure the ‘Adam’ scenes were true to the age group – you are one of the people I must thank for your input in that department!

You are very welcome! 🙂

  • Without giving anything away, was there any part of the book in particular that you found difficult/fun to write?

 

I had so much fun writing the Nate-Adam scenes! They were my favourite ones to write. In those scenes, despite the pathos, I was able to bring a little humour and lightness into my story – something I have been wanting to do for a while.

The scenes which show Nate’s agoraphobic tendencies were tougher. There was the question of actually ‘getting into his head-space’ while I wrote his point of view. For about a week I will confess I felt a bit breathless and reluctant leaving the house – which I put down to being in Nate’s mindset at the outset when he’s really stuck. It wasn’t very comfortable.

  • How long did it take you to write Dear Dad, from concept to finished novel? Do your writing journeys differ from book to book?

 

I had the concept two years ago. I just wasn’t ready to write it then. My initial attempts to get into it threw me back on the realisation that I still had a lot of decisions to make. For instance – was it a father-son story, or a love story, at its heart? I really only got going with it properly this year, so I would say it took a year to write, but maybe six-eight months to get my internal bearings with it.

Yes, every book takes me a different route. I never really feel I know what I’m doing till about half-way to three quarters of the way in, then it all gathers pace. I like to challenge myself with each new book. This book leads with the male perspective – another difficult decision (the first incarnation of this story started with the heroine), but given the subject matter I simply couldn’t do otherwise. I also have three main characters instead of the usual two. While the plot is deceptively simple, writing three people who are closely involved each with the other was a new challenge. My earlier books had a lot more back-story whereas in this one I’ve cut it down to a minimum. The story flows faster and in a more straightforward trajectory as a result. So, there are a lot of departure in this novel, new directions, but I also wanted to maintain what I feel is my stock-in-trade; tempting readers to challenge their perceptions and feelings about certain topics – about what’s right and what’s wrong. I like it when readers feel they’ve been given food for thought

 For anyone who is yet to read your books, how would you describe your writing style? Do you think this has differed at all from your first releases?

  • While my writing style is evolving (see last answer), my voice remains essentially mine with every new book. That means that – although I may reach out to pastures new stylistically – the ‘person’ and the sentiments behind all my stories remains recognisable from one novel to the next. An author can play around with style and genre but they can’t alter who they essentially are. That said, I write first person present tense, and up to now it’s always been from two different characters’ points of view. It can be a pretty intense and ‘close-up’ way of getting into the character’s heads. The reader gets to know them pretty well. However, I made a deliberate choice to use less introspection in this novel, and concentrate more on what the characters were saying and doing.

DEAR DAD has a different timbre to my previous novels, it’s true. It’s lighter and – while it does deal with some dark subjects – they’re not dwelt upon. That was part of the charm of writing about a child. There is something so compelling and magical about the way that children think.

  • Have you began to think about the next project to work on or do you give yourself a well-earned break in between each piece of fiction?

I do like to give myself a break. It’s easy to let yourself become exhausted, otherwise. I’m on the look-out for people and places, tales of people’s lives, and pieces of music that move me and so on, though.

  • What is your favourite way to celebrate finishing a book?

 

I like to give a launch party. Proper party-style, with flowers and fizz and balloons and friends. I haven’t done one in a while, so when the paperback of DEAR DAD comes out in the summer (around June) I plan to do one this year.

Sounds like fun!

For those of you wanting to know more and/or purchase Dear Dad, here it is!

Please click on the book for more details:

41mptapybgl-_sx323_bo1204203200_

Thank you so much, Giselle. On behalf of the Romaniacs and me, we would like to wish you every success with Dear Dad – I hope everyone enjoys it as much as I did.

Giselle has the following online platforms:

Website – http://www.gisellegreen.com

Facebook Page- https://www.facebook.com/gisellegreenauthor/?fref=ts

Twitter – https://twitter.com/gisellegreenuk?lang=en-gb

LIfe Cycle of a Writer – Celia J Anderson – Cover Reveal!

Moondancing_by_CelinaJ_Anderson-500

 

Whoop! It’s pre-order time for Moondancing – the prequel to Little Boxes –  and it’s only 99c until publication day on January 12th.

Little Boxes by Celia J Anderson - 200

This is a very proud moment for me, at a time when writing has had to take a definite back seat due to the day job. I love our school and my brilliant work-mates in equal measures, but we’ve been having a very tough time lately, and it’s been getting harder and harder to find  time to be able to settle down to anything but depressing Ofsted follow-ups and policies and action plans.

Anyway, before you fall asleep in your tea, let me just say that Moondancing was the very first book I managed to finish. It began as a sample chapter; an assignment for a pre-teaching English Literacy course, and over the years…a lot of years…was one of those ongoing projects that were just for fun and nobody thought would ever be finished. But, eventually, THE END was written and Moondancing (then veering crazily between being called Something For Molly and Start Again) set off on its first journey – to a mystery reader for the RNA New Writers’ Scheme.

Frankly, the reader was underwhelmed. Moondancing was a hot potch of writing styles, multiple viewpoints and quoted song lyrics – it had travelled with me through being widowed, my children growing up and leaving the nest, a new career, marrying again, meeting my wonderful Romaniac friends and lots of other inspiring writers…it was a patchwork quilt of love, loss, black humour, wine and cake. In other words, it was awful. So I carried on and wrote some more books – but faster.

SWEET PROPOSAL (1)

LivingTheDream3 (1)

Finally, after the publication of Sweet Proposal, Little Boxes and Living the Dream, I dug Moondancing out again and gave it a complete facelift. It was then edited by the fabulous Mandy James and sent off to my publishers, Tirgearr, where it had another spring-clean by the equally talented Christine McPherson.

Moondancing is a very different book now. It’s still full of unexpressed longing, frustration, love and grief, but it has a purpose, and it leads directly into Little Boxes. It’s a case of ‘What Molly Did First’ rather than ‘What Katy Did Next’. Here’s the blurb:

Together since their teens, Molly and Jake have four children, a house in a sleepy village, and jobs that bore them to distraction. Their marriage is an accident waiting to happen. When Nick arrives in Mayfield, young, disturbed and in desperate need of mother-love, Molly doesn’t realise that he will be the catalyst that blows everything apart. Add a headmaster whose wife doesn’t understand him, and Molly’s unpredictable, frustrated best friend to the mix, and the blue touch paper has been well and truly lit.

I hope you enjoy reading Moondancing as much as I enjoyed writing it, but also hope it doesn’t take as long…

Celia x

http://www.amazon.co.uk/Moondancing-Celia-J-Anderson-ebook/dp/B017XQTUIQ/ref=sr_1_1?ie=UTF8&qid=1447741183&sr=8-1&keywords=celia+j+anderson+moondancing

http://www.amazon.co.uk/Moondancing-Celia-J-Anderson-ebook/dp/B017XQTUIQ/ref=sr_1_1?ie=UTF8&qid=1447741183&sr=8-1&keywords=celia+j+anderson+moondancing

http://www.amazon.co.uk/Moondancing-Celia-J-Anderson-ebook/dp/B017XQTUIQ/ref=sr_1_1?ie=UTF8&qid=1447741183&sr=8-1&keywords=celia+j+anderson+moondancing

 

 

Wannabe a Writer? Jane Wenham-Jones tells us how we can get there.

Wannabe A Writer TV Show Title Card

So you’ve written that novel that has been consuming your brain for years. Finally written it down and typed those magical words, The End. What now?

Or maybe you have written novel number 15, but still don’t have the courage to send it out to anyone for feedback.

Or even, you’ve written numerous novels, had other people read them and give you feedback, but still don’t know what to do with it.

If any of these scenarios describe you, then Jane Wenham-Jones is the perfect person to help you.

The very lovely, Jane Wenham-Jones
The very lovely, Jane Wenham-Jones

Jane has piloted a TV series called, ‘Wannabe a Writer.’ As part of this series, Jane takes an unpublished writer and introduces them to a top literary agent who reads their first three chapters and gives feedback. What an amazing opportunity! In the first episode, Delphine (the unpublished writer) is introduced to Carole Blake, of Blake Friedmann Literary Agency, and Carole offers some extremely important advice about Delphine’s manuscript. She highlights key points in Delphine’s story that are not working and tells her where it is going wrong. There is no sugar coating with Carole, but I loved that. As an unpublished writer myself, I don’t want to be blinded by happy smiles and ‘well done’s’ (although those are nice to have, too!) but I want to know how it really works. I want to be prepared for when I meet agents and be told just how blunt they may be. As Carole says in the film, she gets in excess of 20 manuscripts a day, so they don’t have time to think about how to say to someone that A,B and C needs changing in a nice way that wont hurt their feelings. That’s just the nature of the industry and that’s why every published author will say that you need to have the stomach for writing. So when I watched this first episode, I felt refreshed that it was putting forward an honest account of the writing/publishing industry.

Saying this, Jane does a very good job of making sure the writer feels supported afterwards. She is very encouraging and arranges a meeting with a bestselling author – I wont disclose who in case you haven’t seen the video.

Meeting the bestselling author was enjoyable to watch. She gave advice and tips to Delphine about her novel and answered all of her questions with expertise. I particularly liked the fact that Jane also got involved with giving advice and would throw in snippets as and when. So essentially you are getting two for the price of one! Fabulous!

Jane and Delphine
Jane and Delphine

The episode ends with Delphine returning to literary agent Carole Blake, with a revised opening chapter. Carole then gives her feedback on the new piece and is quite encouraging – showing that even though she was hard on Delphine at the start, it was all so Delphine could improve an already promising story.

Jane presents the programme extremely well. She is a very friendly person and this comes across on screen brilliantly. She is encouraging the whole way through the programme and makes the whole process relaxed and positive.

I do find sometimes, with things similar to this, that advice is sort of pushed upon you. You have asked for advice so here it is and you must listen. But with this programme, this is not the case. Advice and tips are offered constantly throughout but never at any time is it forced upon you. The bestselling author even says at one point about you having to use your judgement with the advice you’re getting and basically pick what is best for you and your work.

I absolutely love the whole idea of this TV series and I think it will do really well. There are so many people out there, like myself, who desperately want to break the barrier into being published and I think programmes like this are both informative and real and are exactly what we, as writers, need to help prepare ourselves better.

I asked Jane for a few words about her new venture and he is what she had to say…

It’s here! The fluffed lines, fits of the giggles and the marvellous moment where a certain best-selling author’s cat strolled into the scene, mewing, have been safely consigned to the cutting room floor and Wannabe a Writer – the TV Show is available on a youtube channel near you. This is a ground-breaking new concept I have been loosely billing as Come Dine With Me, meets Through the Keyhole with a dash of Britain’s Got Talent  – except designed to appeal to anyone who’s ever thought they might have a book in them, rather than those who want to sing or show off their carrot stroganoff  and  pecan pavlova.

We’re going to be pitching this to the TV channels this autumn, so we’d love you to watch, love you to comment, and love you to apply to come on a future programme (please also tell your friends).

This baby is the brainchild of me and my mate Steve – an ex- ITN TV producer– who I first met when he obligingly spilled the beans about how much tape Barbara Cartland used to hold her face up when she was being interviewed, for my book Wannabe a Writer We’ve Heard Of? (One way, for those interested, is to make news crews wait 24 hours while you bathe the room in pink light, get the florists on standby and use the aforementioned tape to hitch back your forehead.) Not that I am without sympathy, having seen myself in the opening shots, looking as if I have a particularly nasty hangover!

“I hope you’re bleaching out my wrinkles,” I’d squawk at Steve at regular intervals throughout filming. He appeared to ignore me  but was clearly listening. Hear that jaunty piece of music that plays as would-be author Delphine, and I board the train to London? It’s called “Botox Babe”…

To apply to be on the show, visit : www.wannabeawritertvshow.com

Thank you, Jane, we wish you lots of luck with it.

And here is the all important link to this fabulous show – enjoy!

http://www.youtube.com/watch?v=1kJWTbsjbR4 – Part One

http://www.youtube.com/watch?v=_ycfeR3Zze0 – Part Two

Lucie xx

Sophie Duffy and the Exeter Novel prize

Sophie Duffy
Sophie Duffy

My journey to becoming a published novelist was a long one. In fact I have yet to meet a novelist who became an overnight success. I have yet to meet a published novelist without at least two novels secreted away like old love letters. Those first two novels are the practice ground where we learn about the craft of writing, a craft we writers continue to learn for the rest of our lives.

Sophie Duffy 3

But there may well be some novels out there that deserve to see the light of day. Do you have one of those? Or do you have the beginnings of one? If the answer is yes, I do, then dust it down, rework the opening with the helpfulness of hindsight and fresh eyes and enter it into the Exeter Novel Prize.

Sophie Duffy 2
Sophie, Cathie and Margaret

What is the Exeter Novel Prize? It’s a new prize for novelists, set up and launched this week by the trio that make up CreativeWritingMatters: Cathie Hartigan, Margaret James and myself.

Sophie Duffy GenerationWhy did we decide to do this? Because we believe in the importance of writing competitions. Cathie has won short story competitions,  Margaret has administered and judged writing competitions and my novel The Generation Game won both the Yeovil Literary Prize and the Luke Bitmead Bursary. There are many short story and poetry competitions but only a few novel prizes. And the Exeter Novel Prize is, to our knowledge, the only novel competition open to both unpublished and published writers. As long as you are unagented and not currently under contract, you can enter the ENP with your first 10,000 words and a synopsis by October 31st.

Go to http://www.creativewritingmatters.co.uk for details.

We launched the prize on Thursday. It was a soggy evening so we were pleased to fill the room with writers who asked great questions. The atmosphere was positive and encouraging and we are looking forward to finding a shining star. The winner will be chosen from a shortlist by agent Broo Doherty. And who knows what will follow. You’ll never know unless you enter. Nothing ventured…

Sophie Duffy ENP Audience

Sophie  Duffy lives in Teignmouth with her family and other animals. She has two novels published by Legend Press. The Generation Game and This Holey Life.

Thank you, Sophie, for taking the time to write this post. This is a great competition and I wish you, Cathie, Margaret and all the entrants the very best of luck.
Laura x

Crimefest – A guest report from Evonne Wareham

100_0671As I write romantic suspense – a genre that can have as a high a body count as a kiss-count – I sometimes get to play on the shady side of the street. Which is how I came to spend a recent weekend in the company of assorted serial killers, drug dealers, spymasters, global conspirators and all round bad lots, and the lovely people who create them. Yes, this was Crimefest, the Bristol crime writing convention that brings together criminal elements from all walks of life  – and the sleuths who pursue them – from the cosy amateur, solving puzzles over tea and scones, to the adventurer on the trail of an ancient artifact with mystic powers, by way of the jaded cop with the bottle of whisky stashed in his desk drawer. It takes all sorts to make a crime wave.

When you attend an event like Crimefest you realize just how many varieties of fictional crime there are – and locations. Scandinavian and American authors are always in demand, but delegates set their mayhem in Africa, Alaska, Italy, the Greek Islands, Iceland, … the Isle of Wight. The on-site bookshop was bursting with titles from all round the globe, with the chance of having them signed by the author in attendance. And it’s not just exotic places, but also a variety of time periods – Roman Britain, the eighteenth century, the roaring twenties …

Panels looked at everything from the North/South divide, to mixing crime and comedy. There were discussions on writing about the cold war and authors who have become overlooked or forgotten, often unjustly. Fans of Dame Agatha squared up to those of Sir Arthur  …

And all that was quite apart from the enthusiastic after-hours discussion that went on in the hotel bar.

The convention mixes writers and readers and everyone seemed to be in agreement that the panels this year were better than ever. I certainly enjoyed the ones I attended – even the one I was on. This year’s big coup was the appearance of Mark Gatiss, Steven Moffat and Sue Vertue of TV Sherlock fame – currently filming the third series, working round the availability of two stars who have suddenly become big cinema box office and determinedly ducking all requests to explain exactly how Sherlock is coming back from the dead.  It was a fun session, packed with enthusiastic fans – but I have to say that the personal convention high spot for me was the appearance of author Robert Goddard. He’s a great story teller. I’ve been a fan of his complex plotting for years. Fingers crossed that some of that complexity stuff may have rubbed off. I hope so, as there’s nothing I like better than a plot like a corkscrew.

It was a criminally enjoyable weekend.

Janey Fraser and the art of Happy Families

I am very happy to welcome Janey Fraser to Romaniac HQ. With the James household one month into teenagerdom, this is a timely post. Thank you so much, Janey.

JANEY FRASER PICTURE

“OK,” said the kindly looking man at the front of the class with baby gunk on his left-hand shoulder. “Let’s start by finding out exactly what you want.”

A woman next to me, with lipstick on (where did she find the time?) put up her hand. “I’d like to be able to get my twelve year old son to bed on time”

There was a murmur of agreement.  “When would you like him to go to sleep?” said our leader sympathetically.

There was a pursing of glossy lips. “Nine o’clock at the latest.”

Again, there was a wave of enthusiastic nodding from every direction except mine. That’s because my jaw had dropped.

“I’d like my daughter to do more jobs round the house,” chirped up someone else.

Another chorus of ‘me too’s’ followed.

Then, without meaning to,  I put up my hand. “I’d like my fifteen year old to turn off his laptop before midnight; to do his homework without swearing at me; to promise faithfully not to have his hair dyed by his friends again – or sheared; and never, ever, to get another tattoo.”

There was an appalled silence. “Please tell me,” said the woman next to me, “that you are joking.”

Actually I wasn’t. In fact it was why I was here at a parenting class, hoping for some tips. Unfortunately, within the first five minutes, I had sent myself to the bottom of the class.

Don’t get me wrong. I’m proud of my children. They have character. But there are times when – in the absence of grandparent support – I need an extra hand. That’s why parenting classes seemed such a good idea. In fact, as the course progressed, I did pick up some good tips. Reflective listening was one. The idea is that when your children say something to you (or yell), you repeat back their words to show you have listened and add a dollop of empathy at the same time.  Here’s an example.

“I’ll bl….. well do  my homework later.” (teenager).

“I see. So you’ll bl…. well do your homework later? I understand you don’t want to do it now because you’d rather be playing video games. But if you do it now, I won’t need to nag you any more and you won’t get into trouble at school.”

It worked – up to a point – although my teenager did, after a while, question me. “Why do you keep repeating back what I’m saying?” he asked.

“Because someone told me to,” I retorted.

“Mum, I’ve told you enough times. It’s not cool to listen to others. You need to do what’s right for you.”

He has a point.

Then there was the three card trick. The idea was that if your child did something wrong, you gave them a playing card as a warning. Two things wrong meant two cards with a firmer warning. Three cards was a disciplinary (no pocket money).

No. It didn’t work for us either.

On the plus side, I did in fact make some friends – including one mum who said she admired my frankness and she wished she’d summoned up enough courage to confess that her daughter was so addicted to her laptop that my new friend had to hide the rooter in her boot.

I’d like to say that the parenting class brought peace and calm to our house but I can’t bring myself to fib. Not even for the sake of an article. What it did do, however, was to give me an idea for a novel about a mother, her brother in law and a young gran. They all meet up at a parenting class and get embroiled in a complex plot of love, lust and lies (not necessarily in that order). It’s been described as humorous family comedy with a dark streak.

Just like my lot really.

Janey Fraser HAPPY FAMILIES COVER (2)

HAPPY FAMILIES by JANEY FRASER. ARROW 6.99

http://www.janeyfraser.co.uk/ (visit my website to win a free stay at Champneys for two).

http://www.youtube.com/watch?v=Vg7VJbSp1xg. This will give you a taste of the book.

www.facebook.com/janeyfraserauthor

Twitter:

@janey_fraser

Allie Spencer: Save The Date Book Launch

Allie Spencer
Allie Spencer

The Happiest Day of Your Life

…or is it? Of course it is! Your wedding is the one day in your life you get to dress up in a fairy-tale gown marry your Prince Charming. It’s the day all your relatives have to be nice to you (and each other), the day you get to call each and every shot and the day when you, the bride, are indisputably the centre of attention. Sounds perfect? Well, if it was that simple, we novelists wouldn’t be able to write book after book set around weddings, their attendant families and everything that can – and does – go wrong. But where do we get that inspiration from?

I loved my wedding day: it was as perfect as you could hope for – although it very nearly went horribly wrong. It began the week before the ceremony when I walked into the church and found the organ covered in plastic sheeting and the vicar announcing that there was going to be a stage and full theatre lightning up in front of the altar. A stage??? Nobody had told me I’d be saying ‘I do’ in the full glare of a professional spotlight. I was after the clean lines and stained glass windows of a medieval church! Luckily, after much begging and pleading (and quite a few veiled threats from my mother) the stage was dismantled in time for the ceremony and everything went ahead as planned. Twelve years on, and my stress levels are just about back to normal.

And what about the moment that every bride secretly dreads – when the vicar or the registrar asks if there is anyone in the congregation who knows ‘due cause or impediment’ why she should not be joined in holy matrimony? Well, it happened to a friend of mine, although luckily he was the vicar not the bride. At the crucial moment, the Best Man blurted out ‘She’s not good enough for you mate!’ and everything ground to a temporary halt – temporary because, of course, ‘not being good enough’ isn’t a valid reason to stop a marriage taking place. The worst thing was, my friend tells me, not just that the Best Man blurted this out, but that he was probably right…

It’s this combination of love and high drama; beautiful costumes and a well-rehearsed script; meticulous planning but the tiniest chance that everything could still go spectacularly wrong which gives writers like me such inspiration. Throw in the odd dysfunctional family member, a lost love (or two) and, in the case of ‘Save the Date!’, a mischievous Jack Russell, and you have a pretty potent literary mix.

However, it’s always important to keep that fairytale ending in mind. What we want from a really good wedding is the promise of true love.  So, to all the brides and grooms – fictional and otherwise – who will be making their way up the aisle this summer: may you find the happy-ever-after that you are looking for and I hope, I truly do, that it is indeed the happiest day of your life. 

Allie Spencer Save the date cover

Family weddings can be hell.

…and, marooned in Italy for her cousin’s nuptials, Ailsa can be forgiven for thinking that this one is worse than most. With the bride and groom at loggerheads and the guests in uproar, it is a million miles away from the rest and relaxation she’d been hoping for.

And then suddenly, in the middle of the mayhem, she comes face-to-face with Nick, the man she walked out on just a few months earlier.

How can Ailsa help get the wedding back on track when she and Nick can’t stop arguing? But if they do, she might remember why she fell in love with him in the first place – and then there really would be trouble.

Allie is kindly offering one of our lovely Romaniac readers a chance to win a copy of her new release, Save The Date. All you have to do is leave a comment, by Friday evening (14th June), telling us about the most outrageous wedding ceremony moment you witnessed, first-hand, or were, indeed part of. The one that makes us go ‘Ohhh!’ the longest will be the winner. Good luck.

Thank you Allie for popping in to Romaniac HQ and leaving this brand, spanking new copy of Save The Date, released June 20, 2013, but available for pre-order from Amazon, here.

You can find Allie on Facebook here and follow her on Twitter, here.

Congratulations on your new book. We look forward to reading it.

Love,

The Romaniacs xx

RT BookLovers Convention 2013 – Guest Post from Evonne Wareham

Those key cardsYou know you’ve arrived at a very special kind of convention when the key card for your hotel room features a book cover with a bare-chested man. And the RT Booklovers convention is very special to the (mostly) American readers who travel from all over the States to get their big romance fix – meeting authors and cover models, attending panels and parties, buying books and getting them signed at two monster signing sessions …

The convention is an annual event, hosted by RT Book Reviews magazine at a Choc-Lit bannerdifferent American location each year. This year it was Kansas City and it was the 30th anniversary convention. It was rumoured that more than two thousand readers and authors, mainly female, descended on the unsuspecting city for the hectic long weekend. And I was one of them, part of a group from Choc-Lit, intent on taking British-style romance to new audiences. It was exhausting and enormous fun. Those ladies know how to party and were focused on doing just that, from the morning mixers and breakfast events to the evening balls and parties. In between there were talks by authors – singly and in groups, quizzes, scavenger hunts, craft sessions and the chance for aspiring authors to meet agents and publishing houses, to pitch their manuscripts. The term ‘elevator pitch’ took on a whole new dimension while being practiced on the way down from the 29th floor. You could pick out the glow from the hopefuls who had just been asked to submit their manuscript from about ten paces.

Choc-Lit authors hosted a craft session on creating heroes, a chocolate tasting session, a Jane Austen celebration from CL’s Austen expert, Juliet Archer (which featured a guest appearance by Mr Darcy) and, captained by author Lynne Connelly, devised a fiendish quiz to test the participants’ knowledge of the British Isles. And yes, I was the one with the question that involved a sheep. I was specializing in Wales, after all. And wore the national dress, to prove it. I also forgot to give someone my camera to get a shot of me in it.

The BallThe hotel was fabulous, the free books on offer were amazing, the swag – gifts from authors and publishers of everything from bookmarks to letter openers – completely fascinating. You have no idea how many gew-gaws and gadgets can be printed with an author’s name. Actually I do, now. I brought home as many as I could carry. Some of the themed parties featured costumes – saloon girls to vampires – and the anniversary ball called for formal dress. The Choc-lit group rose to the occasion with sparkle and tiaras. I didn’t risk a tiara – I was afraid I’d end up wearing it as a necklace – or skewering someone’s eye, but I did have a snazzy pair of cream coloured elbow length gloves, which were admired by a gentleman I met in the lift on the way to the ball. His wife was very tolerant about it.

Signing Books

I had a really great time. It’s impossible to give more than the tiniest glimpse of the scale of the event here. The high-spot was probably being part of the huge book signing on Saturday morning, but the thing that made the most impact was the welcome and interest shown by American romance fans. The British (and Welsh) accents had something to do with it, but everywhere there were people keen to talk about books, writing and every kind of romance genre. Next year’s convention is in New Orleans and events are already being planned. And I’m already saving my pennies.

Evonne x

Charlie Cochrane: The Perils of Public Speaking

Charlie Cochrane
Charlie Cochrane

I sometimes get conned – sorry, asked nicely – into chairing author/reader events such as the Festival of Romance or the UK Meet. Now, this is meat and drink to me, seeing as I do some freelance training and facilitating, so standing up to handle panellists and audiences holds few terrors, and acting as a panellist for author events is also right up my street. When Laura asked me to blog about how some of the opportunities came about – and if the skills needed can be learned – I was delighted to oblige.

The Deadly Dames is a classic example of me being in the right place at the right time (story of my publishing life). I got to know Nicola Slade and Eileen Robertson through the local Romantic Novelists Association lunches and, one day, Eileen said, “Would you be interested in doing library talks? You have to join Mystery People first.”I almost knocked her down in my rush to say, “Yes, where do I sign?”

The Deadly Dames
The Deadly Dames

From there the Deadly Dames grew – five “girls” local to the M27 corridor, all of whom write cosy mysteries as well as other things. We devised a name, a logo, a style (black and red clothes) and began our career at Chichester library, discussing how and why we write, where we get inspired, how we do our research and lots of other things. It was a great success, which we’ve followed up with other bookings, some of which we’ve sourced ourselves – cue nabbing librarians and trying to charm them – and some have been sourced by the lovely Lizzie at Mystery People (next up, Bognor!)There are pros and cons to all of this, not least because of unforeseen problems which upset your plans. The DDs had been lined up to do a panel in Windsor but it had been booked to clash with Comic Relief and had to be cancelled. Back into the cupboard the snazzy red and black gear goes… But you have to take the rough with the smooth, and the ‘free’ opportunities – to get our names out on advertising, to engage with potential new readers (whether they buy our books at the event or later or get them from the library) and to present ourselves as interesting, nice people – are not to be sniffed at. Any author at our level in the profession will tell you that books don’t sell themselves and the harder you work and network, the more success you tend to have.

Preparation is key for Deadly Dames events. Not to the nth degree, as you start to sound very flat (you need some bounce in your bungee!) but to have some idea of what you might say. For the Deadly Dames, our panel leader circulates some key questions in advance so we can get our notes ready to tackle those. Those questions change, so people could come to several DD events and not be bored.  I also like to have some answers at least half prepared in my mind for anything tricky someone in the audience might ask. You know the sort of thing. “Why does a straight woman write about gay men?” I want to get the answer to that absolutely right. (Although some of the audience questions, especially about e-books, make such little sense that having an answer ready would be well nigh impossible.)

Extending the discussion to the chairing or facilitating of panels/events, experience and practice undoubtedly help, but the sort of skills involved can be learned and there are plenty of tips to help things go smoothly, such as:

  • Have people in the audience you know you can call on for comments if questions have dried up or are slow getting started. Something like, “Laura, I know you’re interested in vampire fiction. What’s your opinion on ‘Victoria and Albert, love at first bite’?” Once somebody talks, generally others will join in.
  • Make sure you have some questions to ask your panellists if nobody else is doing so. You can always use generic ones, such as, “Is there a classic book you couldn’t finish” or “Is there a book you wish you’d written?”
  • Try to ensure everyone gets to ask their question, even if that means being blunt with floor-hoggers. “Can we come back to you if there’s time? I have a lady in the back row who won’t forgive me if I don’t get her question in.” Smiles and good humour help pour oil on many a troubled water.
  • Don’t be afraid to pull panellists/delegates back on topic. Remember that your core business isn’t to be everyone’s friend, it’s to keep the event running to topic and on time. Oh, and have a clock to hand, and even a whistle. Don’t be afraid to use either of them!

What are your tips for making public appearances go well? And do you want to pick my brains (such as they are) on the subject?

As Charlie Cochrane couldn’t be trusted to do any of her jobs of choice—like managing a rugby team—she writes. She lives in England, but has yet to use her local town Romsey as a setting for her stories.

She’s a member of the Romantic Novelists’ Association, Mystery People, International Thriller Writers Inc and is on the organising team for UK Meet. She regularly appears with The Deadly Dames.

Charlie Cochrane Promises_Made_Under_Fire_final foir LJCharlie’s latest release is Promises Made Under Fire

France, 1915

Lieutenant Tom Donald envies everything about fellow officer Frank Foden–his confidence, his easy manner with the men in the trenches, the affectionate letters from his wife. Frank shares these letters happily, drawing Tom into a vicarious friendship with a woman he’s never met. Although the bonds of friendship forged under fire are strong, Tom can’t be so open with Frank–he’s attracted to men and could never confess that to anyone.

When Frank is killed in no-man’s-land, he leaves behind a mysterious request for Tom: to deliver a sealed letter to a man named Palmer. Tom undertakes the commission while on leave–and discovers that almost everything he thought he knew about Frank is a lie…

Thank you so much for your wonderful advice, Charlie. As Chairperson at the Festival of Romance, you certainly put us at ease for our first panel, and we knew we were in safe hands.

We wish you and your Deadly Dames well.

Laura x

Spring; The Waiting Game.

Spring trying to arrive in Somerset
Spring trying to arrive in Somerset

Celia: I’m not very good at waiting. No, that’s something of an understatement, I am absolutely pants when it comes to patience. Just the thought of things happening gradually (and especially that horrible phrase ‘in the fullness of time’) have always given me the jitters. But just lately, while we’ve all been waiting and longing for spring sunshine, daffodils, butterflies etc to appear and for the country to warm up a bit, I’ve been having a rethink.

Without going into boring details, there have been several big changes and breakthroughs in my life during the last year. I’m now officially an orphan and therefore possibly a grown-up at last. And grown-ups are meant to be patient…aren’t they? My change of heart about the value of biding my time could be due to the excitement of getting a real live contract after long months searching for an agent and a publisher. It’s probably also a lot to do with a traumatic family relationship, long fractured and seemingly hopeless, that time has finally healed. Whatever the reason, I’m beginning to think that some things might, just might, be worth waiting for – if there’s no other option.

I asked the other inhabitants of Romaniac HQ for their views on the subject of playing the waiting game:

Sue : I am and I’m not. How’s that for sitting on the fence? I’m very patient when it comes to other people but when it comes to getting things done, I want it done yesterday. I hate waiting. I think that can at times make me quite impulsive. I am trying to be more patient as I get older, but it’s hard to break a lifetime of rushing to get things done. I am looking forward to spring. I usually enjoy all the seasons but, I have to say, I’m a bit bored of winter now. It’s encouraging to see the blossom on the tree in my garden. Surely, spring will be here soon.

blossom

Jan: I like to think I’m pretty patient with most people, especially friends & family. “You’re a good listener!” they tell me. I’m also quite restrained where long queues are concerned, as in airport check-in lines or traffic jams. I suppose where I do feel the steam rising slightly is if I’m trying to figure out instructions and can’t grasp things straight away, generally with new gadgets or household products, rather than with teachers or text books. The only other time impatience strikes, of course, is if I can’t unwrap a box of chocolates quick enough! 😉 As for remaining uncomplaining about the weather… well, spring can’t come quick enough. It’s my favourite season. New beginnings, beautiful blossom on the trees, daffodils and other buds & blooms, brighter days & lighter evenings, the promise of summer still to come, dusting off my flip flops… I could go on and on.

Vanessa: I read Celia’s post above and a lot of it could have been written by me … except for the contract bit – I’m still waiting for that one! Since losing my dad at the end of last year, I’ve become almost panicky when it comes to waiting, a little voice in my head is constantly whispering life is too short. I had the same thing when I lost other people, friends and family members, that reminder of your own mortality you get when someone dies and all the things on the to-do list that remain un-ticked. I’m trying to force myself to slow down, to not rush everything to completion, and at the same time to take advantage of every opportunity that presents itself. And mostly, to remind myself that some things are worth waiting for, with the end results all the more delicious for the tense build-up the waiting game offers.

Laura: ‘All good things come to those who wait’ – I can hear those words in my mothers’s voice. For most of the time, when major situations are involved, I’m happy to sit tight and let them play out, and I believe this stems from my fatalistic nature – what will be, will be. And yes, I am now singing one of my all time favourite Doris Day songs, the sentiment of which incidentally, brings a sincere tear to my eye.

Life is short, and we should make our own luck, but sometimes, waiting is good for the soul. Sometimes, waiting provides distance from the core issue, and distance provides perspective. That change of view might make us see things differently, and stop us from blindly rushing in.
I wonder how connected patience are acceptance are?

So, what are you waiting for right now? And is the waiting game one you’re happy to play?