Cover Reveal – The French Retreat

I’m really pleased to be sharing the cover and blurb for my novella The French Retreat which is due to be released on 15th October. I had great fun writing this, so much so, that I aim to write some more in the series. The French Retreat is set in Southern Brittany, an area of France I’m very familiar with as we have a second home there, and it was the inspiration behind the story. I’ll be blogging more about how we restored our cottage and sharing some photos in a couple of weeks time but, for now, I’ll leave you with the cover and blurb. Ta-daa!

The French Retreat


With Christmas on the horizon, losing her job and her home wasn’t on Marcie Grainger’s wish list. In a bid to reassess her life, she heads off to the only place she has ever felt truly content – her brother’s farmhouse retreat in rural France.

Marcie isn’t the only one looking to escape. Ex-soldier Will hopes the gentle pace of French life will help to banish the ghosts of his past and offer him the fresh start he desires.

However, all is not what it seems at The Retreat. Fuelled by a string of strange happenings and local rumours, Will and Marcie are pushed together as they try to discover who or what is behind it all. In so doing, they end up finding a lot more than they bargained for.

The French Retreat is a story of human compassion, hope and love.






Cover : Amygdala Book Cover Designs

Life Cycle of a Writer – Sue Fortin

Since my last Life Cycle of a Writer post where I talked about how I plot my novels with Post-It Notes (click HERE for link), and how I was aiming to finish the first draft of my WIP, I’m delighted to say that I typed THE END! Yay! That novel had been put to one side for quite some time while I worked on other projects, so having finally completed it and sent it out, I’m now waiting for feedback.

In an effort to stop myself constantly refreshing my inbox for any news, I’ve been keeping myself busy by writing a novella. It’s a romance with a mystery set in France called The French Effect, which I’m aiming to publish around the end of October.

Breton flag

As a family, we have a great love for France and have a second home in Southern Brittany. I’ve wanted to use the location for a long time and finally had time to work on this project. I’ve enjoyed writing The French Effect so much, I plan to do a few more novellas based in the different areas of France we’ve visited over the years.

I’m self-publishing this time, under the Romaniac Press banner, and the list of things to do has been a bit longer than usual, including:-

Cover design

Formatting for Kindle and Smashwords

Uploading to Amazon

Arranging paperbacks

Of course, there’s still the usual editing, revising and proofreading to add to the list, together with organising the promo and reviews but I’ve enjoyed the whole process. It’s certainly kept me busy. I look forward to sharing the cover and blurb very soon but, in the meantime, will leave you with a picture of our cottage in France. The door and windows are usually a lovely deep Breton red but they are currently in the middle of a facelift.


À bientôt!




Life Cycle of a Writer – Taking A Break From Writing

Sue Fortin

It doesn’t seem like five minutes since I was here blogging about receiving my edits for The Half Truth (click HERE to view). Since then my third Harper Impulse novel has flown the nest and is fending for itself out in the big wide world. I will be honest in saying that afterwards I felt quite drained by the whole process. Despite having plenty of writing to get on with, I didn’t feel emotionally or physcially able to do any. At the back of my mind the writing advice of ‘write something every day’ kept plaguing me but try as I might, I couldn’t summon up any enthusiasm.  I was also very much aware my family were well in credit for some of my time, having graciously and lovingly, supported me when I was under deadline pressure.

The Owl & The Pussy Cat

The Owl & The Pussy Cat



So, ignoring the ‘write every day’ advice, I decided I would do anything and everything but that. I must admit I’ve had an excellent six week writing break, which took into account Easter holidays too. I’ve thoroughly enjoyed myself. I’ve spent huge amounts of time with my children, my family, celebrating three of our birthdays, catching up with friends, visiting places, pottering around the house, sewing, reading, making cakes (and eating them!); it’s been great.

To begin with I didn’t even feel the urge to do any writing in any shape or form, but gradually over the weeks, my mind has turned to my WIP and I’ve even started toying with ideas for the book after that. However, I’m holding out until next week before I pick up with my WIP. It’s about 71k words in and going well. First though, I’ll probably spend some time plotting out the book after that one before I forget.

I have to say, taking a writing break, as in no writing whatsoever, has been the best thing I’ve done for a long time. It doesn’t work for everyone, but it’s certainly worked for me. Now I’m feeling revived and enthusiastic and I’m very much looking forward to getting back behind the keyboard.



Dear Auntie Romaniac – Flashbacks, yes or no?

Dear Auntie Romaniac


I don’t know whether to use flashbacks in my novel or not. My main character has a lot of back story which is relevant to the story I’m telling now.

Do you think I should tell this in flashbacks or should I use a different technique, such as, diary entries or dual time line?  Or is there a better way to deal with a heavy back story?


Catherine: I think flashbacks are okay to use as long as they don’t jar the storyline, serve a purpose, and keep the reader interested. I’ve just finished Julie Cohen’s Where Love Lies and there is some flashback in there, but it’s serves the plot well and is done smoothly. It’s important to the story as it explores memory and perception amongst other things. I think the rules that I’d have would be not too much, not too soon and not if it doesn’t have a purpose.

 Laura: I agree with Catherine. Not too much and not too soon, unless the character is experiencing physical flashbacks. The past can be revealed through dialogue, which is a form of showing, or through the characters internal voice. I do recall being taught to make the lead into and out of the flashbacks clear to the reader. Having said all that, I like both your ideas, Sue, and can see them working.

Lucie: I will echo what the girls are saying, especially not overusing it. I use a flashback in Fractured Love, but only the once. I think if you use it too much, it will most definitely jar the flow of the story and not achieve the intended purpose. I think there are some stories that need it and some that don’t. You need to look at the story both with it and without and explore whether it is the best means of communication for that part. I do love a good flashback, though, it can add depth and mystery to a story if done properly. Good luck, Sue! :-)

Novel Research

It’s an exciting day for me, my third novel, THE HALF TRUTH is published today. It’s a romantic suspense, set mainly on the south coast of the UK but also in London. I had some interesting search terms when researching it, things like, Glock 26 and Russian gang tattoos but my favourite was St Paul’s Cathedral in London.

photo (12)

I’ve visited St Paul’s on several occasions, the first, as a child, when my sister, my mum and I stayed with my nan for a week. (She lived in De Beuvoir Square in London, which I also used in The Half Truth.) During that week, my nan took us to St Paul’s and I loved the Whispering Gallery – my sister and I had great fun whispering messages around the walls to each other. As an adult, I’ve appreciated the beauty and splendour of the building, both the interior and exterior.  Writing those scenes brought back very fond memories.

The Half truth

Every marriage has its secrets…

Tina Bolotnikov, widowed after her husband, Sasha, is killed in a car accident, relocates back to her hometown on the south coast of the UK, to bring up her young son. Her life back in London with her adored husband is now nothing but a memory; a history to pass onto her son.

DS John Nightingale saw his partner killed in the line of duty and has made it his personal and professional quest to bring to justice the Russian gang responsible. Five years on and the killer is still free but as reports come in of Sasha Bolotnikov’s brother returning to the UK, John is tasked with tracking him down and following him to the seaside town of Littlehampton.

Tina finds herself an unwitting connection to a world she knew nothing about. She thought she knew her husband. She thought their past was the truth. But now as the investigation draws her closer to DS Nightingale, professional lines are blurred, and only he holds the key to her future.


Sue Fortin, Inspired by …

So many things and people have in the past, and continue to, inspire my writing, it’s difficult to know where to begin.

photo (8)Going way back to my childhood, I suppose my first influence was Enid Blyton. I loved her books, especially anything where a mystery was involved, ‘The Secret Seven‘, ‘The Famous Five’ and my favourite series, ‘The Mystery of ….‘ books. Later on, I became a fan of Agatha Christie and more darker authors, such as, Minette Walters or thriller writers like, Chris Kuzneski and James Patterson with his ‘Women’s Murder Club’.  As you can see, mystery and thrillers have been a long held passion of mine.

At the other end of the scale, I do enjoy a good romance and it was through reading Jilly Cooper‘s ‘Riders‘ that I learned how, over a period of time, you could turn a villain into a hero – think Rupert Campbell-Black. Through reading Sue Moorcroft‘s novel ‘Starting Over‘ I discovered the Romantic Novelists’ Association and I was delighted to be able to join under their New Writers’ Scheme. Without the support of the RNA and the wonderful people I have met through it, I’m not sure I would have made it this far in my writing adventure.

Special thanks must also go to Julie Cohen, Sarah Duncan, Sue Moorcroft (again :-) ) and Margaret James as I have attended or been enrolled on courses delivered by each of them at some point over the past four or five years. Words of encouragement, advice and general support is much appreciated – they’ve fulfilled their end of the deal  by inspiring me to continue with my writing, now it’s up to me to fulfil mine.

Sheffield Julie Cohen

Julie Cohen, RNA Conference, Sheffiled 2013

It’s not only people who inspire me but the whole world around me, locally, nationally and internationally. Absorbing everything around me, consciously or sub-consciously, it all go into the Ideas and Inspiration Pot.

I couldn’t close without saying that daily, not only do my family and fellow Romaniac girls encourage me to keep writing but readers do too.  Hearing how much someone has enjoyed one of my books both humbles me and inspires my writing.