Life Cycle of a Writer: When is Enough Enough?

When is Enough Enough?


The Good Fight, as it was known, (ironic, now I think of it), never got beyond 20,000 words. The entire story was mapped out in my head, but for a variety of reasons, the last 80,000 words never made it onto the page. Ill health caused a delay, with debilitating headaches stopping me from sitting at the computer, but even on good days, I struggled to get the words onto paper. I loved the setting, the characters and the overall idea, but it just wasn’t working. Even now, I can’t quite put my finger on what is wrong with it. All I know is it doesn’t have the spark, the electricity it needs to keep the reader gripped.

Many times I considered setting it aside and starting something new, but I was concerned I was being wooed by the sparkly new ideas, and if I let that happen once, there was a chance I’d never finish another novel.

Thank goodness for my wonderful Romaniac friends. They guided, advised, consoled, energised and supported me. And in the last few months, The Romaniacs have enjoyed some amazing successes – a number 1 in  the UK Kindle chart, agent representation, paperback releases, competition wins, superb reviews – and each one has spurred me on.

They inspired me into action.

So, after a year of slogging away on book 4, I’ve decided The Good Fight has fought its final battle and I’m allowing myself to be wined and dined by the new, sparkly ideas.

I’m in that exciting phase of discovering new characters, researching new issues, and opening a new Word document. I have a title, which Catherine, Sue and I work-shopped last week – a fabulous session over tapas and cocktails, or in my case, soda and lime – and I know how I want the story to evolve. I can feel it. I realise that is an element missing from The Good Fight. I cannot feel it. It hasn’t hit me in the stomach or made its presence felt. The new story arrived as a mass of feelings and emotions which I could not ignore, which is how I know it is right for me to move on.

The Good Fight may come into its own one day, but for now I’m going with my gut instinct.

Enough is enough.

And yes, I am singing along to Barbra Streisand and Donna Summer.

Laura xx




The fireworks are being lit, the cake is coming out of the oven and the glasses are overflowing with pop as The Romaniacs celebrate the paperback release of our lovely Jan Brigden’s As Weekends Go.



Laura: Many congratulations, Jan. What an exciting day! Your first paperback. And isn’t it gorgeous? I’m looking forward to getting my hands on a signed copy. I am thrilled for you. So well deserved, my lovely, hardworking friend xxx

Catherine: Congratulations, Jan! The honkometer cannot withstand such excitement! This level of celebration may be enough to put it into early retirement! Enjoy the day and we’ve stocked up on additional cake to mark the occasion! Xxx

Vanessa: HUGE congratulations, lovely Jan. I hope your day is filled with cake and champagne – I can’t wait to add the wonderful As Weekends Go to my Romaniac shelf!

Sue: Honkity-honk-honk-honk! Congratulations, Jan on the release of your paperback. It’s a fantastic story and I can’t wait to get my hands on a copy. It will take pride of place on my bookshelf with the other Romaniac publications! I also get to stroke Alex Heath!! Well done, my friend, thoroughly deserved. xx

Celia: Sooooo excited for you, our lovely, talented Jan! Loved the Kindle version and can’t wait to see the book in paperback form, in all its glory. Massive congratulations and honks. Very, very proud of you and all you’ve achieved xxxx

Lucie: How amazing is this, Jan? I am SUPER proud of you, my friend! I cannot wait for this to be on my shelf. You are an inspiration and I hope you are celebrating in true Romaniac-style with plenty of fizz and HONKS! Love you lots xxx 


With love from The Romaniacs




The Romaniacs Sparkle Spotlight 2016.

The Romaniacs Sparkle Spotlights 2016.

Filmed at the RNA conference, Lancaster University.

We asked three questions:

  1. What are you working on?
  2. What inspired your story/you to become a writer?
  3. What is your top writing tip?

Thank you to everyone who took part in this year’s Sparkle Spotlights – your advice is invaluable.

All Work & No Play …

All Work & No Play …

Penrith 2012

Penrith 2012


This coming weekend, 8th – 10th July is the annual Romantic Novelists’ Association’s Conference.

It’s a weekend of workshops, panels, interviews and one-to-ones with industry professionals.

And socialising.

Lots of socialising, catching up with writerly friends from all over the country, sometimes from other continents.

If Jack was attending, he’d need not worry about being a dull boy.

Gretna Green

This will be my fifth conference, my first being held in Penrith, not far from the Scottish border. On that occasion, Celia and I took the opportunity to visit Gretna Green. At the conference, I had one-to-ones with an editor from Samhain and an editor from Mira, both requesting to see the full manuscript of Follow Me, now titled, Follow Me Follow You. I recall returning home on the Monday and talking to Gajitman about the amazing experience that was the 2012 RNA Conference, and casually mentioning two editors had requested the full manuscript, which wasn’t complete as it was the year I lost my lovely mum and I was struggling to concentrate on work. I explained this to the editors, who were very kind and understanding. It was later that week, on the Thursday, when I was sitting at my desk in the kitchen and Gajitman was over by the kettle, making hot drinks, when it hit me: This is serious. Two publishers want to see my work.

I had been taking writing seriously for a number of years, but the 2012 Conference, which included a fabulous talk given by Miranda Dickinson, who said if you write, you are a writer, gave me the confidence to say exactly that: ‘I am a writer.’

Before I’d completed Follow Me, I submitted Truth or Dare? to Choc Lit, which became my debut novel, published in October 2013, with Follow Me Follow You making its way into paperback in 2014.

Photo courtesy of the RNA.

Photo courtesy of the RNA.

I’m attending Conference this year with three books under my belt, the third, What Doesn’t Kill You, racking up the most reviews soIMG_1620 far. I also have a number of short stories appearing in anthologies for the RNA and Choc Lit.

I can’t believe how much has happened since Penrith, and not only for me, but for all The Romaniacs. Between us we’ve had five debuts (and subsequent books) published, a healthy number of competition shortlists and wins, lovely reviews, for which we are always grateful, and agent success. And last year, we won the RNA Industry Media Stars Award, which actually left us speechless. We hope you enjoyed the quiet while it lasted.

This year at Conference, we are hosting a panel entitled, Pals, Pens and Pompoms. Or: How to feel empowered and finding people to cheer you along the way. It promises to be lively, fun, informative, and as ever, open and honest. It’s an event to which we are very much looking forward, and we shall report back once we are refreshed and clear from the Prosecco haze which often accompanies such wonderful gatherings.

Right, I’m off to check my list: Pals: Check. Pens. Check, check. Pompoms: Check, check, check.😀

Laura x







Roving Romaniacs Meet Kirstie Allsopp & Go To A Party

Celia, Laura, Vanessa, Kirstie, Catherine & Debbie

Celia, Laura, Vanessa, Kirstie, Catherine & Debbie

Thursday 19th May 2016 was a big day for The Romaniacs, but particularly for Catherine Miller. Catherine’s debut novel, Waiting For You, was nominated for the prestigious Joan Hessayon Award, the winner of which was to be announced that evening in London at the Romantic novelists’ Association’s Summer Party.

The day began with five Romaniacs and Mr Miller departing from various parts of the country, all heading for our favourite London hotel. After a quick catch-up and a change into our multipurpose daywear/eveningwear frocks, we took a taxi to our second port of call that day – Kirstie Allsopp’s house. For afternoon tea. As one does.

Our Catherine is masterful when it comes to winning competitions and tea with Kirstie Allsopp was first prize in a competition run by Home Start, ‘a national family support charity that helps parents to build better lives for their children.’


The second port of call was the RNA’s Summer Party, where we met up with our writing friends and colleagues and celebrated our debut novelists whose books had been through the RNA New Writers’ Scheme and achieved publication. Our congratulations to everyone nominated and to the over-all winner, Clare Harvey.

Here are our memories of that busy, fun day.

Laura: What an incredible day. First of all, I’d like to thank Catherine for inviting me to share her prize – meeting Kirstie Allsopp was a wonderful experience. And what a lovely family and house she has. I found Kirstie to be warm, charming, funny and very down-to-earth. The evening was wonderful, too, catching up with writing friends, cheering on our debut novelists and meeting a few of our street team Sparklers. I got to bed at 02:00, but what an amazing day.

Vanessa: It was SUCH a fabulous day. It always is catching up with my lovely fellow Romaniacs, but this time with the added bonus of meeting Kirstie and getting to drink lots of prosecco in her beautiful home – and see her shoes! So many beautiful shoes… The evening was amazing, as always: I always love the RNA parties because they give me the chance to meet up with fellow writers in the most glamorous and friendly of environments. The prosecco headache the next day was totally worth it! Shoes

Debbie: I’ll confess; Kirstie is my ‘girl crush!’ I’ve long admired her so was very excited when Catherine invited me along.FullSizeRender (4) Bubbly, cake and laughter all afternoon – what could be better? Kirstie was so welcoming and every bit as warm and lovely as she appears on TV. The evening was great fun too and super, as always, to catch up with my RNA writer friends. My jaws ached more than usual the following day having spent the whole day and evening grinning from ear to ear, laughing and chatting! IMG_0437



Celia: This was a very special day for us all, and for me it marked the start of a new chapter. Retiring from work will give me time to meet more writing people and catch up with the Romaniacs more often, so the party and the fabulous Kirstie visit  were a great way to celebrate the next stage. My husband worked as a brewers’ scientist for years and the Allsopp family of brewers are a big part of Burton-on-Trent’s heritage so spotting all the memorabilia on her walls was interesting. Seeing our lovely Catherine in the JH line up was even more heart-warming – as the oldest Romaniac, that was definitely a  proud mummy moment, and her wonderful Dan put up with a hoard of over-excited women very bravely all day too and was chief photographer to boot!

Beer plaque

3 stooges

Guest Post ~ Welcome, Gabrielle Mullarkey

Gabrielle Mullarkey is a novelist, short story writer and journalist, who has worked on women’s magazines for over 20 years. Since gaining her MSc in creative writing for therapeutic purposes in 2014, she works with writing groups for mental health charity Mind, and writes with and for patients at local hospices.


gabs1 (1)

A Tale of Two Sisters, her second novel, takes the reader to the heart of a simmering sibling rivalry that explodes into all-out war!

Having pondered sisterhood while writing the book, she has more question than answers on the bond that can seem like a bind…

Can your sister be your best friend, too?

The art of being a good sister is, to coin a friend’s term, ‘a slippery rabbit’. Anyone who’s tried to cuddle a bunny will know just how mercurial and evasive the fluffy critter is. But even if you do consider yourself close to your sister, is she also your best friend? And if so, is that friendship fostered by shared interests – or is sibling rivalry intensified when sisters follow the same career path or share a passion? Serena and Venus Williams seem to get on OK, despite an intense professional rivalry – but actresses Olivia de Havilland and Joan Fontaine, A-lister sisters from Hollywood’s golden age, reputedly fell out over who won the race for an Oscar (Joan beat big sis Olivia in the Best Actress category at the 1942 awards, Olivia bagging the statuette five years later). Joan is even supposed to have said, ‘I married first, won the Oscar before Olivia did, and if I die first, she’ll undoubtedly be livid because I beat her to it.’

joan & olivia

Blimey, when you get competitive with your sister about who’ll die first, that takes sibling rivalry to a whole new level!

I’m not sure how I’d feel if either of my sisters wanted to be writers. As they’re both teachers, they may be keeping a competitive eye on each other’s league tables, but I’m happy to let them get on with it, never having felt the urge to scale the north face of OFSTED paperwork. And growing up, I didn’t turn to either of them for advice on school, boys, accessories or anything else – I had my best friend for that.

In fact, one of my BFF’s key roles was to let me moan about my sisters, since we all went to the same school – and this is probably why Nikki in a A Tale of Two Sisters gets some of the best lines in the book as the ‘tell-it-like-it-is’ best bud to Katie, disgruntled sister-at-large. Keeping it real, Nikki listens, commiserates and – while she doesn’t hesitate to point out Katie’s contributory culpability for her all-out war with sister Flick – makes helpful suggestions on resolving the schism, such as offering to go halves on a hitman to take out Flick. To Katie, this confirms the blind loyalty you expect (possibly demand) of a best friend precisely because siblings withhold it.

I don’t know about your family, but in my mine, you could only rally followers to your righteous cause (convincing Mum or Dad the other sister did it and ran away) by excelling at the sort of ‘what’s it worth to side with you?’ horse trading that characterises every episode of House of Cards. In fact, if Kevin Spacey ever gets tired of delivering thousand yard stares and gnomic utterances straight to camera, some of my siblings would welcome an audition…

I’m pretty good at that game myself. But what about my own BFF credentials? Well, I may flatter myself, but I was pretty good at that game as well, because my BFF at school had more brother than sister trouble – and I’ve got four of those blighters!

A Tale of Two Sisters by Gabrielle Mullarkey cover


Find A Tale of Two Sisters at:

Connect with Gabrielle on Twitter ~ @authorgabrielle


Giselle Green – Dear Dad

img_3901Today, we are honoured to have wonderful writer, and dear friend, Giselle Green on our blog. I caught up with her recently to have a chat about her new novel – here’s what she had to say:

Good morning Giselle, thank you so much for coming onto our blog to share the news of your fantastic new novel, Dear Dad.

  • I was very lucky to have been one of the people you selected to read Dear Dad a while ago, but for those yet to read it, can you tell us a little about it?


Thank you for reading it, Lucie! And thank you for inviting me back onto the Romaniacs blog – it’s my pleasure to be here.

What it’s about …

A young war reporter suffering from PTSD who’s lost everything that’s dear to him is faced with a difficult dilemma when multiple letters start arriving mysteriously at his flat. Mistakenly addressed to ‘Dear Dad,’ they’re from a young, bullied kid called Adam who’s desperate for someone to help him out of his misery. Only Nate’s not his dad – and he can’t be anyone’s advocate. He can’t even bring himself to leave his flat. Acquiescing to Adam’s plea, he agrees to visit the boy’s school pretending to be ‘Dad’ just so he can explain to Adam’s teacher what’s going on. As Nate and Adam’s pretty young teacher Jenna fall for each other, Nate soon discovers that some lies, once told, are not so easy to recover from…

  • Where did the idea come from? Do you choose themes to craft your books from or do you let inspiration lead?


It’s true I’ve had large themes very much in the forefront of my mind in the past (e.g. Hope, faith and Charity, Justice). For this book, the theme was there all along but it was only after I finished it that I finally recognised what it was – kindness.

On a more mundane level, I wanted to talk about ‘Dads’ – I’ve spoken about the role of Mums so often in the past. I wanted to talk about people who take on the fatherly role even when they weren’t the biological dad.

I also wanted to say something about the social isolation so many people seem to suffer from. Even though we’re living on a planet that’s more densely populated than it’s ever been, loneliness and a sense of isolation are endemic. Those are things that can affect anyone – even previously popular, outgoing, successful people like Nate. He falls from a great height. When we first meet him, he’s got this sense of shame, of having somehow ‘failed’, but it’s only when he reaches out in compassion to someone who’s even worse off than he is, that he can start to find healing.

  • Dear Dad deals with some very real and very heartfelt issues, was it difficult to write?


Some of the issues in Dear Dad are a little heart-wrenching – the issue of child carers who go unnoticed in the system, for one. Not because there aren’t the mechanisms in government to help them, but because half the time they simply aren’t picked up. It’s a catch-22 situation for some children – they have no advocate, and because they have no advocate, they don’t get ‘seen’.

Any situation where children are the victims is always hard for me – my heart bleeds for them. But because I used a lighter tone for this book, it wasn’t as hard to write as it might have been. And Adam’s ever-optimistic character that shone through all his troubles so stoically made it easier, too

  • How did you get into the mind-set of a 9 year old? Did you have help from any children?


That’s a great question Lucie – I really have no idea where Adam’s mindset came from. It was just … there, automatically. Of all the characters in the book, this vulnerable, savvy 9-year-old arrived the most fully-formed and I loved him from the word go. He was so easy to write that when I finished, I didn’t want to leave him behind. I have had six boys myself, as you know, so maybe I unconsciously drew on some of them, when it came to what it ‘felt’ like to be him. I also had some friends with children of about the right age read through to make sure the ‘Adam’ scenes were true to the age group – you are one of the people I must thank for your input in that department!

You are very welcome!🙂

  • Without giving anything away, was there any part of the book in particular that you found difficult/fun to write?


I had so much fun writing the Nate-Adam scenes! They were my favourite ones to write. In those scenes, despite the pathos, I was able to bring a little humour and lightness into my story – something I have been wanting to do for a while.

The scenes which show Nate’s agoraphobic tendencies were tougher. There was the question of actually ‘getting into his head-space’ while I wrote his point of view. For about a week I will confess I felt a bit breathless and reluctant leaving the house – which I put down to being in Nate’s mindset at the outset when he’s really stuck. It wasn’t very comfortable.

  • How long did it take you to write Dear Dad, from concept to finished novel? Do your writing journeys differ from book to book?


I had the concept two years ago. I just wasn’t ready to write it then. My initial attempts to get into it threw me back on the realisation that I still had a lot of decisions to make. For instance – was it a father-son story, or a love story, at its heart? I really only got going with it properly this year, so I would say it took a year to write, but maybe six-eight months to get my internal bearings with it.

Yes, every book takes me a different route. I never really feel I know what I’m doing till about half-way to three quarters of the way in, then it all gathers pace. I like to challenge myself with each new book. This book leads with the male perspective – another difficult decision (the first incarnation of this story started with the heroine), but given the subject matter I simply couldn’t do otherwise. I also have three main characters instead of the usual two. While the plot is deceptively simple, writing three people who are closely involved each with the other was a new challenge. My earlier books had a lot more back-story whereas in this one I’ve cut it down to a minimum. The story flows faster and in a more straightforward trajectory as a result. So, there are a lot of departure in this novel, new directions, but I also wanted to maintain what I feel is my stock-in-trade; tempting readers to challenge their perceptions and feelings about certain topics – about what’s right and what’s wrong. I like it when readers feel they’ve been given food for thought

 For anyone who is yet to read your books, how would you describe your writing style? Do you think this has differed at all from your first releases?

  • While my writing style is evolving (see last answer), my voice remains essentially mine with every new book. That means that – although I may reach out to pastures new stylistically – the ‘person’ and the sentiments behind all my stories remains recognisable from one novel to the next. An author can play around with style and genre but they can’t alter who they essentially are. That said, I write first person present tense, and up to now it’s always been from two different characters’ points of view. It can be a pretty intense and ‘close-up’ way of getting into the character’s heads. The reader gets to know them pretty well. However, I made a deliberate choice to use less introspection in this novel, and concentrate more on what the characters were saying and doing.

DEAR DAD has a different timbre to my previous novels, it’s true. It’s lighter and – while it does deal with some dark subjects – they’re not dwelt upon. That was part of the charm of writing about a child. There is something so compelling and magical about the way that children think.

  • Have you began to think about the next project to work on or do you give yourself a well-earned break in between each piece of fiction?

I do like to give myself a break. It’s easy to let yourself become exhausted, otherwise. I’m on the look-out for people and places, tales of people’s lives, and pieces of music that move me and so on, though.

  • What is your favourite way to celebrate finishing a book?


I like to give a launch party. Proper party-style, with flowers and fizz and balloons and friends. I haven’t done one in a while, so when the paperback of DEAR DAD comes out in the summer (around June) I plan to do one this year.

Sounds like fun!

For those of you wanting to know more and/or purchase Dear Dad, here it is!

Please click on the book for more details:


Thank you so much, Giselle. On behalf of the Romaniacs and me, we would like to wish you every success with Dear Dad – I hope everyone enjoys it as much as I did.

Giselle has the following online platforms:

Website –

Facebook Page-

Twitter –